A Quote by Graeme Murphy
We moved, and there was a golden era in the '40s when we were so conscious of who we were as Australians.
Related Quotes
On the same line of reasoning, if Australians were to be Australians, or rather if Australians were as separate from any other nation as Australia from any other land, there would be no jealousy between them on England's account.
For me, the present is a golden era. That's the greatest golden era. Right now. I just like pining for lost times.
I like golden-era hip-hop because they were recording on a 2-inch tape. There was dirty, raw sampling. It's nasty. It has a vibe to it.
My dad and mom were more like World War II-era parents, even though it was the 1960s, because they were both born in the '40s. They were young adults before the '60s even happened, and married, and already having kids. But by the time we were adolescents in the '70s, the whole culture was screaming at parents, "You're a good parent if you're open with your kids about sex." They attempted to be open with us about sex, and it made them want to die, and consequently, it made us want to die.
In fact a lot of them I think are absolute baloney. Those Charles Olsens and people like that. At first I was interested in seeing what they were up to, what they were doing, why they were doing it. They never moved me in the way that one is moved by true poetry.
God made men by baking them in an oven, but he forgot about the first batch, and that's how Black people were born. And then he was so anxious about the next batch, he took them out of the oven too soon, so that's how White people were made. But the third batch he let cook until they were golden-golden-golden, and, honey, that's you and me.
... I had a dream where I was taken to Heaven and brought into a beautiful library. There I was given two golden books that were covered with dust. The Lord told me they were golden treasure that was needed for the Body of Christ to have the knowledge to proceed and succeed in this hour.
My heroes were Dylan, John Lennon and Picasso, because they each moved their particular medium forward, and when they got to the point where they were comfortable, they always moved on.
I always feel, I guess being a product of the movies of the 40s where movies were the greatest things and screens were big and palaces were palaces and stars were larger than life that reality was so much inferior to what we felt was conceivably possible from what we had seen in the movies.
Virginians were no more angels or philanthropists than people to the north or to the south of them. They were moved by their affections, their interest, and their resentments, just as humanity is moved today.
Certainly the Australians were buried in Korea. But I think that from Vietnam on, all the killed were brought home to America or to Australia, in our case.
My generation had to be taken seriously because we were stopping things and burning things. We were able to initiate change, because we had such vast numbers. We were part of the baby boom, and when we moved, everything moved with us.
My 20s were gone, my 30s were recovery, my 40s is where I am self-sufficient.
Surely it's no coincidence that the Era of the AUMF, the Era of Endless War, is also the Golden Era of the Chickenhawk. We keep electing leaders who, on the most basic experiential level, literally have no idea what they're doing.
Coming up, the music of my era was very conscious. I grew up on Public Enemy, and it was popular culture to be aware. People were wearing Malcolm X T-shirts and Malcolm X hats. It was a very cool thing to know who Malcolm X was. It was all in the lyrics. It was trendy to be conscious and aware.
When you were growing up in the 30s, 20s, of course the 40s, all black people at least in the Washington, D.C., area were required to live among themselves.
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