We can't afford big symphonies but we commission works that sound rich and symphonic because of the nature of the instrumentation and the people we work with.
Deep inside I feel that this world we live in is really a big, huge, monumental symphonic orchestra. I believe that in its primordial form, all of creation is sound and that it's not just random sound, that it's music.
Cory Booker became a millionaire because this is how the economy works for people of his class: Rich people give other rich people money to do nothing, simply because they 'deserve' it.
Let God work in you, give the work to God, and have peace. Don't worry if He works through your nature or above your nature, because both are His, nature and grace.
I have written six symphonies, they are smaller-scale works. I seem to emit my themes, work them out, combine and intertwine them, and then come to a close. I usually feel that there are no superfluous extras, but probably most composers feel that way about their works.
In the beginning I had a lot of self-imposed limitations as far as production and instrumentation. It was really inspiring for us at the time, because those limitations allowed us to push ourselves as songwriters and gave us a strong sound that people could recognize as ours, like wearing a leather jacket every day. A uniform. They know it's you - and that's great - but my original intention wasn't to be a shoegaze band or to be derivative of one sound.
I made my first film McLibel independently but only by accident. I tried to get a commission from all the standard TV broadcasters but because they had been sued by McDonald's in the past none of them would commission me so I ended up making it by credit cards and rich boyfriends (I'm joking - about the boyfriends).
Usually one or two things happen: Either you have an idea straightaway - the sort of sound that you want or the instrumentation or one particular sound that you want to feature - or you don't.
I love colors, but I also love rich sounds. And I feel like when it comes to colored ukuleles, people assume they're cheap or that they'll have a tinny sound. And I feel like it would be really beautiful to have a rich color but also to have a rich sound.
You may be rich, but there is one thing you can't afford - that is, if you are a good sort - you can't afford to spend money on your own luxuries while there are people around you wanting the necessaries of life.
Marches work, rallies work, civil disobedience works, direct action works, voting works, writing letters works, speaking to churches and schools works, rioting works.
When you love a teacher very much - as I did Olivier Messiaen - you do have to leave them.One of the things that separated me from Messiaen was my desire to create works with a big structure, a large symphonic sweep. His forms are wonderful, glorious mosaics, but again, I prefer narrative.
Rural poverty happens because people aren't being paid to take adequate care of their places. There's lots of work to do here. And you can't afford to pay anybody to do it! If you depress the price of the products of the place below a certain level, people can't afford to maintain it. And that's the rural dilemma.
I know I still had to take money from my parents, because no one can afford to live in Manhattan, not even the rich people.
... landscapes or still-lifes I paint in between the abstract works; they constitute about one-tenth of my production. On the one hand they are useful, because I like to work from nature - although I do use a photograph - because I think that any detail from nature has a logic I would like to see in abstraction as well.
The Government cannot afford to have a country made up entirely of rich people, because rich people pay so little tax that the Government would quickly go bankrupt. This is why Government men always tell us that labor is man's noblest calling. Government needs labor to pay its upkeep.
When states and cities and our country say we're going to tax the rich - and that word 'rich' or 'wealthy' doesn't sound like it comes from success of hard work, but from something negative - I resent it.