A Quote by Graeme Simsion

There are so many weird people that nobody takes any notice. We all just fit right in. — © Graeme Simsion
There are so many weird people that nobody takes any notice. We all just fit right in.
In many parts of the world, chaining of people with mental illnesses is not uncommon, nor is seeing people walking around in clearly an unwell state, half naked, and no one takes any notice of them. It is tragic. There is a basic human right, which is not about just healthcare, but it is about the right to life with dignity, a right to citizenship.
When I started making movies about weird people, I knew they were weird, I was infected with irony, and I wanted New York to notice.
When you do things for the right reasons, eventually no matter how long it takes, people will take notice of it and can't help but respect it.
It's definitely weird, because pretty much everybody owns the Tony Hawk videogame. Just going over to people's houses and watching play me as I walk in - that's actually happened a few times and that's so weird. It's like, 'Dude, you're playing me right now.' It was too weird.
South America was not really that open - you had to fit in, and I didn't fit in. I was different - my tastes, my point of view - were a bit weird, and I found in Britain a sense of calm, that I could just be.
Have you noticed how nobody ever looks up? Nobody looks at chimneys, or trees against the sky, or the tops of buildings. Everybody just looks down at the pavement or their shoes. The whole world could pass them by and most people wouldn't notice.
People shouldn't notice what you're wearing before they notice you. You want people to register you first. 'Oh, what a nice jacket' should be an afterthought if you're doing it right.
I'm not bragging but I used to be rather beautiful, with lovely legs, and people would always ask me to dance. But suddenly people didn't take any notice of me any more. I was at a party in my 50s and was forced to dance with a chair because nobody wanted to dance with me.
Most times you do a movie every place except for what the camera sees is just a mess with the lights, people, and cameras so you get used to it. There is no way to shut that out, there is always a constant reminder of how many people it takes, what is going on and how many elements that goes into making this scene look right.
I'm probably borderline OCD. I insist on having all objects at right angles to each other. So a fork has to be at a right angle to the knife on the table. The salt and pepper pots have to be placed close together. Only recently have I started to notice it's a weird way to behave.
Who would you trust right now? Which bank would you trust? Which investment would you trust? Do you really want to put your money; do you want to suffer more of these losses that we just had? You know, these volatility that we see is just unexplainable by any rational standards. Nobody has any clue about how to explain this, and nobody wants to experience that. So, we hold more money back, we don't necessarily want to invest in the market and by default, people are saving more.
Yes, I've seen Louis CK. I wouldn't in any way make a degrading remark about Louis CK, but the question is do I think anyone is funny? And the answer is not too many people. He might fit right in there.
I would never feel confident enough to express my views and opinions as the right ones because I just don't think that's possible. There are so many sides to everything that nobody is right or wrong.
It's so easy to look around and notice what's wrong. It takes practice to see what's right.
Noah Baumbach does more takes than any director I've ever worked with. He runs a very quiet set and he runs a very hard working set. He has such an intense level of dedication to what's happening that he cultivates a group of people around him who have an equal level of dedication. Nobody asks, "When is lunch?" That's just not part of our sets. It's complete immersion. He has a 'no cell phone' rule. Nobody checks their cell phone. Nobody reads on set. It's like, "If you're there, you're there. If you're not on board with that, don't work on this movie."
All of a sudden I'm an actor, and I spend a decade trying to fit in and realising that I didn't, really. Sometimes in the right circumstances, with the right people, it felt OK. But other times it was a bit more jobbing. I didn't fit the mould, somehow.
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