A Quote by Graeme Souness

I was always - and I have no idea where it came from - a confident boy. And when I look at how I've lived my life that's how I've lived it. — © Graeme Souness
I was always - and I have no idea where it came from - a confident boy. And when I look at how I've lived my life that's how I've lived it.
When I came in at United, I'd seen what the manager set, how the players lived their lives, how they trained, how they lived with the expectation and all sorts, playing three games a week at that level. And that is when I thought 'woah - this is different, this is something else.'
I come from Toledo, Ohio, a town that has been hurt badly by the shift of the automobile business towards Japan. And yet I remember how the car workers lived in the neighborhood that I grew up in. My father was a car salesman, and I remember how we lived. I remember how modestly we lived.
God wants to use you to make a difference in His world. He wants to work through you. What matters is not the duration of your life, but the donation of it. Not how long you lived, but how you lived.
The saying is, life is short, but what if it's not? But if life is short, is this how you would like to spend your last days? And if life is long, is this how you want to spend 50, 60, or 70 years? Being ashamed? Being quiet? Hoping no one notices you? Not telling the truth? Walking around heavy? If I die in my sleep tonight, God forbid, I am happy with how I've lived my life. I've lived it truthfully.
I'm certain that it was an incredible gift for me to not only be friends with some of the greatest blues people who've ever lived, but to learn how they played, how they sang, how they lived their lives, ran their marriages, and talked to their kids.
If you really want to know how a person will operate, look at how they've lived their life.
If I had not lived the life I had lived and did not have the wife I have and the children I have, I would never know how to play that role [of Dr. Bedsloe], and I wouldn't have any of those qualities. It's a real example of how it is true that the camera catches everything. Even the stuff you're trying to hide.
You can make the argument that there's no such thing as the past. Nobody lived in the past. They lived in the present. It is their present, not our present, and they don't know how it's going to come out. They weren't just like we are because they lived in that very different time. You can't understand them if you don't understand how they perceived reality.
We can't have an idea of what life should look like, about how spirit should be manifesting as our very life, because all of those ideas would just be products of the past - something we learned, imagined, or desired. Once again, we find ourselves back in the unknown - not in the idea of the unknown, but in the lived reality of it. It's the mind humbled, on its knees, with bare feet and free of the known.
I kept staring into the blackness of the woods, drawn into the darkness as I always had been. I suddenly realized how alone I was. (But this is how you travel, the wind whispered back, this is how you've always lived.)
Architecture is life, or at least it is life itself taking form and therefore it is the truest record of life as it was lived in the world yesterday, as it is lived today or ever will be lived.
I defend just like my brother Todd lived. He taught me how to play defense by the way he lived his life. I defend like every game is my last game, like anything can be taken away at any moment, and that's what my brother taught me. That's what he always preached to me, so that's how I believe the game should be played.
I've spent most of my life in cities, and so I've always lived with the curiosity about what makes for city cultures and how peoples live in cities, how peoples anywhere manage to co-exist, the public life and the private life.
That's the thing about suicide. Try as you might to remember how a person lived his life, you always end up thinking about how he ended it.
I liked dark, urban stories like 'Peter Gunn,' which was a detective series on network TV when I was a little boy. I grew up in a farmtown in the Midwest where not much exciting happened. I liked the idea of lives lived at night and the shadowy characters who lived in that demi-monde.
I've lived my life dealing with everybody. And that's how it's always been for me.
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