A Quote by Graham Chapman

All ideas come about through some sort of observation. It sparks an attitude; some object or emotion causes a reaction in the other person. — © Graham Chapman
All ideas come about through some sort of observation. It sparks an attitude; some object or emotion causes a reaction in the other person.
A positive attitude causes a chain reaction of positive thoughts, events and outcomes. It is a catalyst and it sparks extraordinary results.
To begin with, you must realize that any idea accepted by the brain is automatically transformed into an action of some sort. It may take seconds or minutes or longer - but ideas always produce a reaction of some sort.
The most important thing is to illicit some reaction, good or bad. If some people are repellent to me, so be it. If some people are attracted to me, great. At the end, that's the object of entertainment - you want to provoke a reaction.
When sparks fly, some truly great ideas come to light.
Of causes, some are complete and primary, others auxiliary and proximate. Hence, when we say that all things come about through fate by antecedent causes, we do not mean this to be understood as 'by complete and primary causes,' but 'by auxiliary and proximate causes.'
Changing the world doesn't happen all at once. It isn't a big bang. It's an evolution, the sum of a billion tiny sparks. And some of those sparks will have to come from you.
I'd sort of gone through some sort of spiritual change in the late 70s where I sort of saw there was some other life to live. It changed the way that I worked just having a different presence and a different tension.
As you follow the escapades or the journey of the hero through a story, it evokes some kind of emotion in the viewers. The director's job is to make sure that the audience goes through the journey and has an emotional reaction.
I think I am a religious person just by nature. I think I sort of view everything through the lens of some inner undying thing in people that drives them to act as they do or to feel ashamed of not acting in some other way.
I love the idea of engaging the object, whether it be architecture or a piece of good graphic design, or a good painting, or piece of sculpture, or even a piece of industrial manufactured object. A piece of engineering can be quite beautiful, too, or a photomicrograph, or a cosmic photograph. We're physical beings and why deny that. So in that sense, it's very sensual to have an object that has the power to communicate some emotion or a state or give you some sense.
Globalization means we have to re-examine some of our ideas, and look at ideas from other countries, from other cultures, and open ourselves to them. And that's not comfortable for the average person.
Just like I described in health care, yeah, somebody comes in, they got new ideas, maybe ideas that are completely opposite of my ideas. Maybe some of it goes, maybe some of that progress goes back. Maybe they think of some things we didn't think of, and so in some other areas - we can learn something.
The gist of the matter is this: Every impression that comes in from without, be it a sentence which we hear, an object of vision, or an effluvium which assails our nose, no sooner enters our consciousness than it is drafted off in some determinate direction or other, making connection with the other materials already there, and finally producing what we call our reaction. The particular connections it strikes into are determined by our past experiences and the 'associations' of the present sort of impression with them.
Sometimes people feel mind is merely the - in some animal, the energy or something from the brain. Now there are little sort of curiosities or I think doubt sometimes a sheer sort of mental attitude, some change in our brain. So these fields, now scientists are showing some interest.
I do not believe that we can put into anyone ideas which are not in him already. As a rule there are in everyone all sorts of good ideas, ready like tinder. But much of this tinder catches fire, or catches it successfully, only when it meets some flame or spark from outside, i.e., from some other person.
Because if you don't know someone all that well, you react to their surface qualities, the superficial stereotypes-they throw off like sparks. But once you fight through the sparks and get to the person, you find just that, a person, a big jumble of likes, dislikes, fears, and desires.
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