A Quote by Graham Collier
The artist is a man who finds that the form or shape of things externally corresponds, in some strange way, to the movements of his mental and emotional life.
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Modern man has been in search of a new language of form to satisfy new longings and aspirations - longings for mental appeasement, aspirations to unity, harmony, serenity - an end to his alienation from nature. All these arts of remote times or strange cultures either give or suggest to the modern artist forms which he can adapt to his needs, the elements of a new iconography.
No man or woman alive, magical or not, has ever escaped some form of injury, whether physical, mental, or emotional. To hurt is as human as to breathe.
There is in nature a parallel unity which corresponds to the unity in the mind and makes it available. This methodizing mind meets no resistance in its attempts. The scattered blocks, with which it strives to form a symmetrical structure, fit. This design following after finds with joy that like design went before. Not only man puts things in a row, but things belong in a row.
And yet the artist will go on with his work without knowing in some way if any of his representations are sound or unsound. The artist knows nothing worth mentioning about the subjects he represents, and that art is a form of play, not to be taken seriously.
I have come to see that an artist is not given a form - a style - but his nature merely gives him the ingredients wherewith to shape an equation of life.
The artist's knowledge of his own creative nature is often unconscious; he pursues his mysterious way of life in a strange innocence.
The artist has a duty to be calm. He has no right to show his emotion, his involvement, to go pouring it all out at the audience. Any excitement over a subject must be sublimated into an Olympian calm of form. That is the only way in which an artist can tell of the things that excite him.
Death--some form of termination--is the universal ending of all living things; but only man, by virtue of his verbally reportable introspective life, can conceptualize his own cessation.
I came to see that man finds meaning in his existence only through the active demonstration of his human self, a cosmos comprising the entire constellation of life's factors: culture, civilization, tradition, history, ideals, facts, physical conditions, one's mental state, the ecology, and so on.
Well, just to dispel all the myths, Walt [Disney] was not anti-Semitic. He was not racist in any way, shape, or form. He was not frozen when his life ended. He's not in some frozen vault right now waiting to make a big comeback.
Hip-hop in the '90s began moving towards the Nation of Islam and the 5 Percenters, black nationalist movements; very much so, these movements embraced a form of Islam: Malcom X's form of Islam prior to his change.
In some shape or form, we do have an emotional connection to our head of state, even if, for the most part, they seem very remote.
Art is life seen through man's inner craving for perfection and beauty--
his escape from the sordid realities of life into a world of his imagining. Art accounts for at least a third of our civilization,
and it is one of the artist's principal duties to do more than merely record life or nature.
To the artist is given the privilege of pointing the way and inspiring towards a better life.
The director’s task is to recreate life, its movement, its contradictions, its dynamic and conflicts. It is his duty to reveal every iota of the truth he has seen, even if not everyone finds that truth acceptable. Of course an artist can lose his way, but even his mistakes are interesting provided they are sincere. For they represent the reality of his inner life, of the peregrinations and struggle into which the external world has thrown him.
Everyone is broken; every mortal man or woman is broken in some way, shape, or form.
Whenever the truth is uncovered, the artist will always cling with rapt gaze to what still remains covering even after such uncovering; but the theoretical man enjoys and finds satisfaction in the discarded covering and finds the highest object of his pleasure in the process of an ever happy uncovering that succeeds through his own efforts.
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