A Quote by Graham Colton
I think that with albums these days, as long as you are moving forward and not trying to re-create things and looking back, albums are like living breathing things. They change, they evolve and it's this big thing that you are trying to get out to people. To me, whatever you can do to get it out there, do that.
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I don't believe in singles. The singles market has changed. I am trying to get back to the old days of releasing albums at will, like Star Wars coming out again.
Figure out what you want, how you want to feel, whatever your motivation is, you have to figure it out. That's step one: where do you want to be? The next thing is just trying to get there and cutting yourself some slack along the way. You're going to have days when you veer off your path, then just get right back on. We all have cheat days, holidays, or celebrations, whatever or period when we can't work out as much as we like, and just do the best you can and when you can get back on track, get back on track.
It's not an epitaph. I felt I could look back at my life and get a good story out of it. It's a picture of somebody trying to figure things out. I'm not trying to create some impression about myself. That doesn't interest me.
My first book was called, 'Mountain, Get Out of My Way,' where I did an autobiographical sketch, if you will, looking back at myself and looking back at things in my life, and juxtaposing them against things that are happening in other people's lives and trying to be motivational.
Guy Picciotto had a really sound point: Live albums basically have bands playing songs that are available on studio records, and what example can you think of where the live album is better? What are the great live albums? I have live albums of bands, but I wouldn't listen to them for the most part. So we thought, instead of spending energy trying to puzzle out how to create a live record, let's just write another studio record.
I started running to different albums, and I was starting with the short albums and moving on to the longer albums. I was interested in how they built up, in tempo and intensity. it made me interested in albums again, too.
It took me three albums to get the confidence and to find out what I could do that made me different from other people. And the first record, really, was a process of trying.
Everybody goes to the funeral, but everybody laughs when it's funny. While entertainment is happening, that's just what it is, entertainment - until it crosses over into a whole 'nother situation. And now, me maturing, I look back at a lot of things, pushing forward, some things won't get my attention. Some things don't deserve my energy. I won't put forth so much on things, you got to focus on what's the matter at hand. That's to put out timeless music, and great albums.
I've done so many albums where I've been in the studio for 14 hours a day for six months just trying to come up with things on my own. It's a nice change helping other people with their music and not being all about what I'm trying to do myself.
I think as you get older, you find you can play more things because you're moving to a different category. You play a certain thing as a younger man, playing action roles like I did. Then I moved out, and I kept trying to do different things all the time.
I think people who go out and tell you how much they're gonna change things are the people who end up being just another whatever. I'm never trying to change anything. That's not for me.
I think all of us set out to try and reach as many people. That's the whole point of being in a band: trying to get your music out there. So, any opportunity to do that, within reason. We're informed about where our music is going to be used; we get to say yes or no. There are things we can turn down, and there are things we can agree to. When it comes to movies and stuff like that, it's great for us. I don't think it's selling out. Maybe 10 or 20 years ago it was seen as selling out, but nowadays I think it's the only way to get your music out there.
I enjoy the collaboration. I always envied people in bands who got to have that interaction. I've done so many albums where I've been in the studio for 14 hours a day for six months just trying to come up with things on my own. It's a nice change helping other people with their music and not being all about what I'm trying to do myself.
Get your work in, do what you need do, and get back up top. I'm a little bit behind the curve as far as not really having a spring training, so you're trying to get your work in, trying to work on things, and at the same time, you're also going out there trying to be competitive.
When you get born your father and mother lost something out of themselves, and they are going to bust a ham trying to get it back, and you are it. They know they can't get it all back but they will get as big a chunk out of you as they can.
I'm trying to find a way to make music work as a living. People used to make their living selling albums. Those days are over! It's kind of an odd time. I guess it's kind of like writing.
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