A Quote by Graham Coxon

A singer for me is more like someone who is standing alone with a microphone like Scott Walker, rather than someone who is bashing a plank and is spitting all over a microphone.
Now any person who plays an acoustic guitar standing up on stage with a microphone is a folk singer. Some grandmother with a baby in her arms singing a 500-year-old song, well, she's not a folk singer, she's not on stage with a guitar and a microphone. No, she's just an old grandmother singing an old song. The term "folk singer" has gotten warped.
I always like to say that the music I'd like to make is somewhere between Pan Sonic and Scott Walker. But I don't sing anything like Scott Walker.
As I’ve said, I’ve never believed in God, which technically makes me an atheist (since the prefix “a” means “not” or “without”). But I have problems with the word “atheism.” It defines what someone is not rather than what someone is. It would be like calling me an a-instrumentalist for Bad Religion rather than the band’s singer. Defining yourself as against something says very little about what you are for.
I'm a gear head. I love gear. If I have the choice, of course I'd rather use a great microphone, a Neumann microphone and a vintage Neve board.
When people heckle me, I have the microphone. And the press has the microphone.
I would love to do much more singing; it's just one of those things where I can't quite describe what it feels like when you're standing in front of a forty piece orchestra, and there's nothing between you and an audience but a microphone. It's like strapping yourself to a locomotive, and I love it.
The state would rather give me an uzi than a microphone.
I've earned this microphone. No one gave this to me. I've earned this microphone. I use it each day to enter the arena of ideas, and do whatever I can to persuade you to agree with me.
Even when I played, if they gave me the microphone after a match, whether a doubles final or a singles final, I'd handle the microphone pretty well.
I don't like being at food festivals and have someone from some weird cable access show that's all about lifestyle get in my face with a microphone and wants to know which party I'm going to later... That just is pointless kind of stuff to me.
It is easy to criticize me from behind a pen or a microphone, from someone who never set foot on a football field.
It's our approach to treat each show like an arena show. We over-invest in production to make the stage look bigger, turning the show into an experience and not just somebody standing around with a microphone rapping.
I'm liking the idea more and more of just standing up with a microphone and talking.
It takes a little more time to get into the role, but not very much more. In making a record you don't have the sense of projection over a distance as in an opera house. We have this microphone and this magnifies all details of a performance, all exaggerations. In the theater, you can get away with a very large, very grand phrase. For the microphone, you have to tone it down. It's the same as making a film, your gestures will be seen in close-up, so they cannot be exaggerated as they would be in a theater.
I'd rather work with someone who's good at their job but doesn't like me, than someone who likes me but is a ninny.
No one hates someone spitting at someone more than I do and it is frowned upon in our country. It is a horrible, horrible thing to do.
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