A Quote by Graham Coxon

I liked Germany; I'm not into Berlin, it's too huge and empty and imposing, but Munich was good. — © Graham Coxon
I liked Germany; I'm not into Berlin, it's too huge and empty and imposing, but Munich was good.
I live alone, perhaps for no good reason, for the reason that I am an impossible creature, set apart by a temperament I have never learned to use as it could be used, thrown off by a word, a glance, a rainy day, or one drink too many. My need to be alone is balanced against my fear of what will happen when suddenly I enter the huge empty silence if I cannot find support there. I go up to Heaven and down to Hell in an hour, and keep alive only by imposing upon myself inexorable routines. I write too many letters and too few poems.
Why has mankind had such a craving to be imposed upon? Why this lust after imposing creeds, imposing deeds, imposing buildings, imposing language, imposing works of art? The thing becomes an imposition and a weariness at last. Give us things that are alive and flexible, which won't last too long and become an obstruction and a weariness. Even Michelangelo becomes at last a lump and a burden and a bore. It is so hard to see past him.
I can say to the German people that the United States has been good for Germany. Has looked out for Germany. Has provided security for Germany. Has helped rebuilt Germany. And unify Germany.
In Germany air became generally accepted Berlin in this area. It operated with 45 airplanes within the Low Cost range from Germany, and is one the most successful carriers in Europe.
In recent years, the largest parties have shied away from making clear statements about where they stand. That was a huge mistake. I very much welcomed the fact that German President Joachim Gauck spoke clearly at the Munich Security Conference and demanded that Germany become more engaged internationally.
In Barcelona, Bayern Munich, in Spain and Germany we were able to do it. But people say, 'You only did it because you were in Barcelona and Bayern Munich. You will not be able to do it in England.' So, let's do it. We are going to try.
My work in those years was essentially of a propagandist nature. I was too young and unknown to play a part in the leading circles of Germany, let alone of world Zionism, which was controlled from Berlin.
If the purpose of the wall was to destroy Berlin, Herr Ulbricht and his cohorts have erred sadly. Berlin is not only going to continue to exist - it's going to grow and grow and grow. Its ties to West Germany will not be severed.
You could grow up in Germany in the postwar years without ever meeting a Jewish person. There were small communities in Frankfurt or Berlin, but in a provincial town in south Germany, Jewish people didn't exist.
In 1995, I went to Berlin to acting school, which was in East Berlin. And I decided to live in the east, because I thought if I go to West Berlin, I might as well stay in Stuttgart in the West because I know all the signs, and the way we deal with each other, and I wanted to get to know the other part of Germany and how they lived and what their history was and their biography. In that period of time, I learned a lot, and it helped me a lot.
You know, this idea of going around the world imposing democracy by growing a middle-class, a trading merchant class that is independent of your faith, is a good notion, but we're all partially different - it's no good imposing systems on people that it doesn't suit.
I do like 'Munich'.It's a really wonderful film. I mean, there's 'Schindler's List', there's 'Saving Private Ryan'. But 'Munich' - of all the other films, Munich would be the one that's really, really amazing storytelling.
The world is so huge that people are always getting lost in it. There are too many ideas and things and people too many directions to go. I was starting to believe that the reason it matters to care passionately about something is that it whittles the world down to a more manageable size. It makes the world seem not huge and empty but full of possibility.
The Berlin of the '20s formed the foundation of my future education... the Berlin of the UFA studios, of Fritz Lang, Lubitsch and Erich Pommer. The Berlin of the architects Gropius, Mendelsohn and Mies van der Rohe. The Berlin of the painters Max Libermann, Grosz, Otto Dix, Klee and Kandinsky.
The spectacle of the sky overwhelms me. Im overwhelmed when I see, in an immense sky, the crescent of the moon, or the sun. There, in my pictures, tiny forms in huge empty spaces. Empty spaces, empty horizons, empty plains - everything which is bare has always greatly impressed me.
Berlin is like being abroad in Germany. It's German, but not provincial.
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