A Quote by Graham Elliot
I think that for me, growing up, my dad was in the Navy; we went all over the world. I love things the weirder the better. The idea I could eat things like snails or frogs legs or things like that was mind-blowingly cool.
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In general, I don't like game mechanics, I mean it's the idea you do the same things through different levels. I think, in my mind, it's an ideas I don't really like because I love to do different things and like to see the story moving on and I like to do different things and different scenes, not do the same thing over and over again. If it involves violence at some point fine, if it makes sense in the context. But violence for the sake of violence, it doesn't mean anything to me anymore.
I'll run through things over and over and over again in my head and think, "How could I have done that better?" Silly things like that.
What makes me smile is a movie where I feel like it is dangerous, or there's that fresh idea there. It's about learning and growing and trying new things and tinkering, all of those things that keep you excited. But if you're not nervous, if you're not on that boundary of the unknown, I don't think you're getting better. I think you're kind of sitting back, and I don't think you're advancing the form.
Some characters think more like me than others; some think more like my dad or someone else. It certainly is made up of my experiences, things I've heard, things I think are funny, things I think are sad. There's sort of a strange, blurry version of yourself in there.
I'm not comfortable with words. I love images ,and I love sounds, and I love feelings. I like the idea of intuition. I think a lot of things in life are understood that way. But you internalize these things; they don't really pop out. Certain things are built inside - little areas of understanding. I feel that I live in darkness and confusion, and I'm trying, like we all are, to make some sort of sense of it.
I do like moving my legs a lot, like maybe moon walk-y things. I don't have like one move, because I try as much as I can. But I just love imitating impossible things that dancers do.
I love working and I love doing lots of things and a variety of things. It keeps your mind active... and you don't end up worrying about just the one thing. When I chew things over or analyze too much, that is when I can trip myself up.
I love working and I love doing lots of things and a variety of things. It keeps your mind active...and you don't end up worrying about just the one thing. When I chew things over or analyze too much, that is when I can trip myself up.
I've definitely seen things that have made me laugh. And there's some things that are really smart and like, "Oh man, we should have done that, that's really cool!" And there's some things that are like, "Oh, do they know something? I don't know!" So there's the whole variety of things that are in those theories. But they're cool.
O the green things growing, the green things growing,
The faint sweet smell of the green things growing!
I should like to live, whether I smile or grieve,
Just to watch the happy life of my green things growing.
There's certain things that I was taught growing up about not quitting and seeing things through. I think if I would have come home and told my dad that I was going to quit the team, I think he would have kicked me out of the house. I don't think I'd have a place to stay.
As a kid growing up, the most simple things would make me so, so excited. I remember the first time my dad got a let-out couch; you could sleep in it like a bed and my sister and I just thought that was so magical.
I don't love it. I write better than I used to write, I think better than I used to think, and I've got enough experience to balance things up. But I don't like the physical side of getting older and I don't like forgetting things. If I had a choice, I'd take Peter Pan pills and stay young forever.
I wasn't fully aware of the things that Madlib did musically, but my manager put me up on game. I'm not gonna act like I was a Madlib head when I wasn't. I didn't understand a lot of it at first. But it opened my mind to some things, and it's me bringing that gangster element to things that he does. It's like a perfect marriage.
I like poor materials. I couldn't see myself making a bronze sculpture - it's not me. I like neon, because it's moving constantly and like drawing. The chemicals going through the neon turns me on really - it's sexy. I like fabrics, but one of the main things with objects is that I really have to love them before I can use them. I have to have the object around me a long time. The little chairs I used in my last White Cube show are ones that my dad bought for me. A sort of a psychometry with objects and things. It's like the pieces I've made are my things.
I enjoyed meeting Emma [Watson]. I have a soft spot in my heart for child actors growing up. I know how hard that is. Having gone through that experience myself, I have a lot of sensitivity to it. For lack of a better word, I just feel like I love these kids, and I want them all to grow up and love themselves, and not get caught up in the wrong things, and to learn all the different things this profession has to give, and to understand it.
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