A Quote by Graham Foust
Sometimes tender, sometimes spiral-eyed-but always, as we say, 'of a mind' -Lily Brown's sonorous and cerebral poems can fire synapses you never knew you had. If you're careful, Rust or Go Missing will keep you on the edge of your head.
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I just knew I had it, but my mum and dad were always great, and it was always a thing I had but a thing that wasn't bad. It was just saying like, I have brown hair, I have brown eyes, and I've got cerebral palsy.
You shoot this and it always has something of yourself - sometimes it's more and sometimes it's less. I think after the shooting it depends on who your character is. You definitely learn something about yourself, or you get to know sides that you knew you had, but you had never activated or triggered in a way that allowed you to let them out. Bad and good, all of this is in all of us. But you definitely meet another side or a quarter or ten percent of yourself that you had an idea of, but never really knew about.
Formula One is a mind game, no question. You have to think so hard sometimes smoke comes out your ears! And if you don't keep your head in gear the car will overtake you
Precise, graceful, and generous, the poems in SuperLoop, seem to be born out of a deep, careful attention and a profound compassion. Sometimes the quiet observer, sometimes the kid in the center of the messed-up carnival, these poems are the fireflies you’ve missed all winter, the longed-for return of the bees. Unaffected and inherently hopeful, Callihan’s work is as merciful as it is moving.
You find there's no magic trick, sometimes in the shower, sometimes you're just lying in bed calm, sometimes you're just enjoying life and just have a notepad, it's never far away. Always have a notepad on you, because you never know what's going to happen, take a moment and write it down the minute that comes in your head. Even if you can't deal with it until later, I've had that experience where I was in a wedding party and I'm on stage, I'm like, "I hope I don't forget this, something just occurred to me."
Let go of your expectations. The universe will do what it will. Sometimes your dreams will come true. Sometimes they won't. Sometimes when you let go of a broken dream, another one gently takes its place. Be aware of what is, not what you would like to be, taking place.
What do you have in mind after you graduate?" What I always thought I had in mind was getting some big scholarship to graduate school or a grant to study all over Europe, and then I thought I'd be a professor and write books of poems or write books of poems and be an editor of some sort. Usually I had these plans on the tip of my tongue. "I don't really know," I heard myself say. I felt a deep shock, hearing myself say that, because the minute I said it, I knew it was true.
Lily Brown writes with and against things in poems that are coiled up tight as springs (or snakes). A believer in the power of the line, she writes, 'I think the plastics/and sink them' then 'Where is the sand/man hiding the dirt.' These terse, biting poems will make you look around and wonder.
No matter how interminable something feels, there is always, always an ending. Sometimes that's good, and sometimes it's bad; sometimes it's a matter of indifference, and sometimes it's heartbreaking, and your life is never the same thereafter.
Being critical of art is a way of showing art respect. No sports writer would say, "Well the Yankees had a great season this year." No food critic would get a bad meal and say, "Oh, it was so lovely." It always strikes me as odd when people say, "Why do you write negatively about any art?" I think that everybody has mixed feelings about everything - even Goya. I mean, I look at Rembrandt sometimes and I hear a voice in my head go, "It's pretty brown."
Sometimes things just happen. Sometimes surfing this bank from Snapper to Kirra, sometimes you don't even think what you're doing but you do it anyway ... You get to the end of a wave and go, what did I do? Sometimes you go into a totally different state of mind.
When you allow circumstances beyond your control to determine your attitude and actions, you risk plunging into a downward spiral of hasty decisions and faulty judgments, to overreacting, giving up too soon, and missing those opportunities that always - always - appear just when you think life will never get better.
Sometimes people come up and they get infatuated with some little brief imagistic poem or something, and they say, "Oh, I really like your Zen poems." And I say, "Which ones are not Zen poems?"
Sometimes when I go out and drink with my friends, they will say, "Seungri, don't be discouraged. I like Seungri. Why do you walk with your head down? Have more confidence, lift your head and walk." I guess friends understand each other.
You do a film and you have hopes for it, and you read it, and you see it one way in your head, and you shoot it, and it'll always change from what you started out. Sometimes it turns out better, sometimes it turns out; I don't know, but as movies go I've never experienced seeing and likening what I've read, and I liked what I read.
Sometimes you move publicly, sometimes privately. Sometimes quietly, sometimes at the top of your voice. And sometimes an active policy is best advanced by doing nothing until the right timeor never.
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