A Quote by Graham Greene
A major character has to come somehow out of the unconscious.
Related Quotes
I love jokes that come out of nowhere. The ones where people look at the screen and go, 'What the Hell was that.' As long as it somehow ties back into the story, somehow.
I love jokes that come out of nowhere. The ones where people look at the screen and go, What the Hell was that. As long as it somehow ties back into the story, somehow.
Where does a character come from? Because a character, at the end of the day, a character will be the combination of the writing of the character, the voicing of the character, the personality of the character, and what the character looks like.
The unconscious wants truth, as the body does. The complexity and fecundity of dreams come from the complexity and fecundity of the unconscious struggling to fulfill that desire. The complexity and fecundity of poetry come from the same struggle.
I do tend to think that I've written a great deal out of my unconscious because half the time I don't know what a given character is going to say next.
I have a theory that the best ads come from personal experience. Some of the good ones I have done have really come out of the real experience of my life, and somehow this has come over as true and valid and persuasive.
I think it's great the opportunity is given to all of us really to come out and play major championships after the real major championships have gone beyond us.
You have to learn to trust - and listen to - your unconscious mind. If you pose the question to your unconscious "is this person a friend or a foe" - safe or a threat - your unconscious mind is hard-wired to assess that brilliantly for you. It's just that we're not very good at paying attention to what our unconscious minds are telling us.
I know that, physically, I'm a very demure-looking person. But I certainly have as much aggression or anger as the next person, and that's got to come out somehow. I'm lucky that I get to play music, and that it's not going to come out in some totally destructive way.
Music helps define the character and is an extension of the character somehow, so that you are able to use both the songs themselves and the way that you sing them to tell something about the character and his story, as well as develop a performance style.
The major task of the twentieth century will be to explore the unconscious, to investigate the subsoil of the mind.
When you come out of the other end of a long process, working with a character [you realize] this character has really shaped my ideas.
Any character that you come up with or create is a piece of you. You're putting yourself into that character, but there's the guise of the character. So there's a certain amount of safety in the character, where you feel more safe being the character than you do being just you
Big ideas come from the unconscious. This is true in art, in science, and in advertising. But your unconscious has to be well informed, or your idea will be irrelevant. Stuff your conscious mind with information, then unhook your rational thought process. You can help this process by going for a long walk, or taking a hot bath, or drinking half a pint of claret. Suddenly, if the telephone line from your unconscious is open, a big idea wells up within you.
Sometimes an artist's vision may get blurred when subjected to a committee because an artwork is usually an expression of something unconscious that is better left in the realm of one person's unconscious if it is to speak to another person's unconscious.
I can't remember. . . . My character was sort of unconscious for it.
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