A Quote by Graham Greene

She was not too young to be wise, but she was too young to know that wisdom shouldn't be spoken aloud when you are happy. — © Graham Greene
She was not too young to be wise, but she was too young to know that wisdom shouldn't be spoken aloud when you are happy.
Too young,too young,she chanted to herself. Wrong,of course. I was older than her grandfather but according to my driver's license,she was right.
When she died, Mom left me her letters and journals. Windows into things I would have been too young to understand when she was alive, or too busy, or too much of a know-it-all.
When you're young your mother shields you from the world because she thinks you're too young to understand, and when she's old you shield her because she's too old to understand - or to have any more understanding inflicted upon her. The curve of life goes: want to know, know, don't want to know.
My mom came to the U.S. very young, and then she married very young. But she was never American. She was always Scottish and would make sure that I knew that I was, too.
It's a natural thing for a child to lose a parent. I lost my mom too young but it happened. And I'm happy she's out of pain, 'cause I love her and she's my friend.
My daughter [Ariana], she's a sweet, lovely girl, but she doesn't have the drive or the belief in herself. As it says in the film, I get touched up thinking about it, no one can give you a career. You have to have that inner drive. She wants it, but she doesn't know how to go for it, she's too shy. To see her perform and come on stage and feel comfortable, you know, she has talent - that was very touching, very moving, for me. She has a really beautiful sound and voice. She's a young girl still, 26, and innocent. She was kind of sheltered.
Celia [Brady] is a young woman who, you know, she's still got that fresh young vibe about her but at the same time she's quite wise beyond her years and very mature and she has that womanly, sexy quality, but at the same time she's very youthful in her clothes. She has that interesting mix between the two. I really love that balance about fashion.
You know your girlfriend is too young when she'll do everything in bed but go upside down because it's too scary.
Holden Caulfield is the embodiment of what we mean by the phrase “young adult” – too young to be a grown-up, but too wise to the world to be completely innocent. He’s caught in the in-between, and that in-between is what all young adult authors write about.
An old woman I loved very much when I was young - the wife of Jean Villard - she's just reciting poetry all the time, which is beautiful because it means she went back to the world of poetry that she loved when she was young. That's all she does - she almost doesn't recognize her children, but she recites Valéry and Baudelaire. So what? We're the ones who are suffering. She's not.
On tiptoes the redhead wouldn't even reach my shoulders; she is clearly too young to be a bride. And the willowy girl is too forlorn. And I am too unwilling. Yet here we are.
She's too young. Too innocent. Too human. For what I'm becoming.
My mother as a young girl went out with a young SS officer and she didn't really know what was going on - she just liked the uniform. When he told her about the things that he did, she was disgusted and broke up with him.
Scarlett tells Mammy: "I'm too young to be a widow." She weeps to her mother: "My life is over. Nothing will ever happen to me anymore." Her mother comforts her: "It's only natural to want to look young and be young when you are young."
Daisy was a consciously happy young woman without any of the usual endowments that make for conscious happiness, money apart. She was not pretty, she was not clever, she had no friends, no talents, nor even an imagination to make her think she was happy when she was really miserable. As she was never miserable, she had no need of an imagination.
She smiles at him, too young to know him for a stranger, and too innocent yet to care.
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