A Quote by Graham Greene
One gets started, and then, suddenly, one cannot remember what toothpaste they use . . . the moment comes when a character does or says something you hadn't thought about. At that moment he's alive and you leave it to him.
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The moment comes when a character does or says something you hadn't thought about. At that moment he's alive and you leave it to him.
One never knows enough about characters in real life to put them into novels. One gets started and then, suddenly, one can not remember what toothpaste they use; what are their views on interior decoration, and one is stuck utterly. No, major characters emerge; minor ones may be photographed.
Debate doesn’t really change things. It gets you bogged in deeper. If you can address or reopen the subject with something new, something from a different angle, then there is some hope. ... People are suddenly gazing at something else and pausing for a moment. And for the duration of that gaze and pause, they are like reflectors of the totality of their own knowledge and/or ignorance. That’s something poetry can do for you, it can entrance you for a moment above the pool of your own consciousness and your own possibilities.
Even if you find him. Even if he didn't leave you on purpose, he can't possibly live up to the person you've built him into." It's not like the thought hasn't occurred to me. I get that the chances of finding him are small, but the chances of finding him as I remember him are even smaller. But I just keep going back to what my dad always says, about how when you lose something, you have to visualize the last place you had it. And I found?and then lost?so many things in Paris.
You can't just plan a moment when things get back on track, just as you can't plan the moment you lose your way in the first place. But standing there alone on the landing, I thought of Grandma Halley and how she'd held me close against her lap as we watched the sky together. I'd always thought I couldn't remember, but suddenly in that moment, I closed my eyes and saw the comet, finally, brilliant and impossible, stretching above me across the sky.
It's amazing to play a character that gets to do everything - to have the action moment, have the really emotional moment, have the really fun, sweet, falling in love moment.
I remember being glued to the TV as I watched the Olympics as a kid. There was something so magical, almost otherworldly, about the Olympics. My favorite part was that moment right before it all started. The moment where the athlete would stand up ready to face whatever lay ahead.
I was an eight-year-old kid when I watched the first Apollo Moon Landing way back in 1969 and there was something about that moment that really stuck in my head. I'd always been interested in space and flying and I was building model rockets and model airplanes, but something about that moment, I can remember like it was yesterday watching the Apollo Lunar Lander approach the surface of the Moon and then later watching Neil Armstrong and Buzz Aldrin take the first steps on the Moon, and something that day started the dream for me that, hey, I want to be like those guys.
And now the moment. Such a moment has a peculiar character. It is brief and temporal indeed, like every moment; it is transient as all moments are; it is past, like every moment in the next moment. And yet it is decisive, and filled with the eternal. Such a moment ought to have a distinctive name; let us call it the Fullness of Time.
There was a stage in my career when I started to have problems with the vanity aspect of the subject. I got frustrated and bored with it. Then I thought, actually, how does it feel to be photographed? That's when I started to photograph myself. That was an incredibly important moment, and it opened up my work tremendously.
Camera lies all the time. It’s all it does is lie, because when you choose this moment instead of this moment, when you… the moment you’ve made a choice, you’re lying about something larger. Lying is an ugly word. I don’t mean lying. But any artist picks and chooses what they want to paint or write about or say. Photographers are the same.
Camera lies all the time. It's all it does is lie, because when you choose this moment instead of this moment, when you... the moment you've made a choice, you're lying about something larger. 'Lying' is an ugly word. I don't mean lying. But any artist picks and chooses what they want to paint or write about or say. Photographers are the same.
Photography is a response that has to do with the momentary recognition of things. Suddenly you're alive. A minute later there was nothing there. I just watched it evaporate. You look one moment and there's everything, next moment it's gone. Photography is very philosophical.
A moment's thought would have shown him. But a moment is a long time, and thought is a painful process.
There has to be a moment at the beginning where you wonder whether you’re in love with the person or in love with the feeling of love itself. If the moment doesn’t pass, that’s it—you’re done. And if the moment does pass, it never goes that far. It stands in the distance, ready for whenever you want it back. Sometimes it’s even there when you thought you were searching for something else, like an escape route, or your lovers’ face.
Much thought has at its root a dissatisfaction with what is. Wanting is the urge for the next moment to contain what this moment does not. When there is wanting in the mind, that moment feels incomplete. Wanting is seeing elsewhere. Completeness is being right here.
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