A Quote by Graham Greene
Unfortunately the innocent are always involved in any conflict. Always, everywhere, there is some voice crying from a tower.
Related Quotes
If only it were possible to love without injury – fidelity isn’t enough: I had been faithful to Anne and yet I had injured her. The hurt is in the act of possession: we are too small in mind and body to possess another person without pride or to be possessed without humiliation. In a way I was glad that my wife had struck out at me again – I had forgotten her pain for too long, and this was the only kind of recompense I could give her. Unfortunately the innocent are always involved in any conflict. Always, everywhere, there is some voice crying from a tower.
Everyone always says that conflict is drama, and I agree, but I also don't think you need drama everywhere. Or conflict everywhere.
I have a voice inside. A voice that I am forever trying to silence. A voice that calls me in when I want to be out, playing. A voice that is always sad. That is always terrified. That always wants to sit in the darkened room, away from noise and movement and colour - away from any experience that could prove to be challenging.
If pimps and thieves everywhere were always punished, honest people would all believe themselves always to be innocent.
The goals of development are always and everywhere stated in terms of consumer value packages standardized around the North Atlantic-and therefore always and everywhere imply more privileges for a few... Underdevelopment is the result of a state of mind common to both socialist and capitalist countries. Present development goals are neither desirable nor reasonable. Unfortunately antiimperialism is no antidote.
I am always nervous about doing voice-over work. I'm always clammy and I worry, "What if my voice squeaks? What if I don't deliver it right?" Until you start saying the lines, it's always nerve-wracking, for some reason, and I've never gotten over that.
When you have a conflict, that means that there are truths that have to be addressed on each side of the conflict. And when you have a conflict, then it's an educational process to try to resolve the conflict. And to resolve that, you have to get people on both sides of the conflict involved so that they can dialogue.
I always get pissed that I can't make my voice sound like someone from the 50s who had a very girly, innocent voice, like Leslie Gore.
I've always been so uninterested in playing any kind of archetype of some pure, innocent, virginal woman. I just don't believe it.
Every position is difficult, but you're always involved in the biggest chances of the opponent; when there's a goal, you're always involved. It's difficult to explain, but this is the importance of the goalkeeper: he's always concentrated, even if he's not running as much as other players. He always needs to be focused.
The history of your world is filled with the voice of the victor, the voice of power, although it was not always a voice of sanity, by any means.
I hope there's always at least a small part of me that's always surprised, always taken aback, always childlike or innocent.
The still small voice within you must always be the final arbiter when there is a conflict of duty.
I suppose I've always done my share of crying, especially when there's no other way to contain my feelings. I know that men ain't supposed to cry, but I think that's wrong. Crying's always been a way for me to get things out which are buried deep, deep down. When I sing, I often cry. Crying is feeling, and feeling is being human. Oh yes, I cry.
Drama is always conflict. Conflict either comes from within or without. The thing that makes a show different is the conflict manifests itself both internally and externally.
Everybody knows, when you have a band, there's always going to be a hierarchy, and there's always going to be some issue where ego gets involved and causes some kind of shake-up.
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