A Quote by Graham Greene

Media is just a word that has come to mean bad journalism. — © Graham Greene
Media is just a word that has come to mean bad journalism.
Eclectic is a word that appears almost as much as the word smarmy in rock journalism and I've come to the fact, just as a personal side, this reminds of Oscar Wilde's insight that criticism is the highest form of autobiography. I think that's exactly what rock journalism has attempted to do, to celebrate its autobiography at my expense.
I've talked about how the future of journalism will be a hybrid future where traditional media players embrace the ways of new media (including transparency, interactivity, and immediacy) and new media companies adopt the best practices of old media (including fairness, accuracy, and high-impact investigative journalism).
Journalism continues to go south, thanks to big media and its strangulation of news, and there's not much left in the way of community or local media. Add to that an internet that has not even started thinking seriously about how it supports journalism. You have these big companies like Google and Facebook who run the news and sell all the ads next to it, but what do they put back into journalism? It isn't much.
Design is a word that's come to mean so much that it's also a word that has come to mean nothing.
'Design' is a word that's come to mean so much that it's also a word that has come to mean nothing.
Moving forward, investigative journalists need to train themselves to be media amphibians - just as comfortable with the classic verities of great journalism as they are with video, Twitter, Facebook, and, most importantly, citizen journalism.
I'm saying that the WMD reporting was not consciously evil. It was bad journalism, even very bad journalism.
I don't think it is just in the world of politics. The lack of civility in society as a whole, some of it, I believe, is very much fueled by social media and frankly, it's fueled by the fact that journalism is not journalism any more.
The media are very dishonest. In fact, in covering my comments, the dishonest media did not explain that I called the fake news the enemy of the people - the fake news. They dropped off the word "fake." And all of the sudden, the story became, the media is the enemy. They take the word "fake" out, and now I'm saying, oh, no, this is no good. But that's the way they are. So I'm not against the media. I'm not against the press. I don't mind bad stories if I deserve them. And I tell you, I love good stories, but we won't - I don't get too many of them.
There's plenty going on that's substantial and transformative, beneficial and authentic. Just because somebody is in the media, it doesn't mean they're bad. It may mean they're the best, and occasionally you know the cream rises to the surface, but not always everything on the surface is cream.
I don't like 'graphic novel.' It's a word that publishers created for the bourgeois to read comics without feeling bad. Comics is just a way of narrating - it's just a media type.
I come from a traditional media generation, you know? I'm like the last generation of that. And so the whole world has changed, ultimately. Coming into social media, Twitter, Facebook - I mean, the first social media I ever had was Tumblr.
Let's be clear: there was no golden age of journalism. The media has always been bad. And instead of improving, it spent a lot of time and energy making up its own myth.
Bridging the virtual world with the physical word is really when social media channels come to life and the magic happens. Because whoever coined the term 'social media' didn't do us any favors. It's not really media. It's more like the telephone, less like the TV.
News at Work is a vivid, inside look at the collision of print journalism and electronic media. Based on close access to the leading news organizations in Buenos Aires, Boczkowski documents how contemporary journalism is caught in the grip of emulation; this spiral of imitation exacerbated further by global news media and their intensifying homogenization. The portrait of this transformation of the news is both fascinating and deeply worrying, and is guaranteed to provoke debate.
Would it not be better to have it understood that realism, in so far as the word means reality to life, is always bad art -- although it may possibly be very good journalism?
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