A Quote by Graham Hawkes
If you go back to the early days of aviation, the guys designing it built it, and then they got in it and flew it. I mean, who does that anymore?
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I went to Vietnam during the Vietnam War to visit all the troops. We would fly into a hospital and serve mess to the guys, and we ate whatever they were eating. Then we slept there and flew out the next day to little bases where there were maybe 10 or 20 guys. Then we flew to another hospital.
I wasn't around in the old days, but if you look at guys from the 70s, 80s and 90s, back then these guys were the kind of guys that if you walked up to them in a bar you would not go up to them and talk trash to.
I think it's a travesty that the NBA can't just tell these guys to play basketball two days in a row. It's just a joke to me. We flew commercial, and we were able to play back-to-back.
I'm a Brit and I just put myself on tape, back in London, for a very distant American project that I thought I didn't stand a chance of getting. And then, I got a call about a week after I had submitted my tape, just saying, "They really like you and want to screen test you." So, I flew to L.A. and did the screen test. And then, I met Elijah [Wood] and did a screen test with him. And then, I had a very nerve-wracking few days back home, waiting and waiting and thinking, "This cannot possibly go my way because that would just be too good to be true." And then, it did.
In the early days of aviation, there was a great deal of experimentation and a high death rate.
I came to admire this machine which could lift virtually any load strapped to its back and carry it anywhere in any weather, safely and dependably. The C-47 groaned, it protested, it rattled, it leaked oil, it ran hot, it ran cold, it ran rough, it staggered along on hot days and scared you half to death, its wings flexed and twisted in a horrifying manner, it sank back to earth with a great sigh of relief - but it flew and it flew and it flew.
When I was still back in Cameroon, because I didn't know English, I used to listen to French rap all the time and then a little bit of American hip-hop. And then, when I got to the States, that's when I really got into all those guys - Lil Wayne, Rick Ross, all those guys.
And then I think we realized, like any young guys, that blues are not learned in a monastery. You've got to go out there and get your heart broke and then come back and then you can sing the blues.
When I announced on my Facebook page that I'm coming to Israel, people started telling me that I shouldn't go there, but I figured that if I'm not going to come here, then I guess I can't go back to the United States anymore and I can never go to Russia again and I should probably never go back to Germany and I should probably never go back to France and I should probably never go back to England....All I see here is a really beautiful city.
You;re colling me, So i fugure you must not hate me anymore. dOES THIS MEAN YOU WANNA GO OUT? iI'm free tonight. I mean , I have plans, but i can break them. For you. Brandon, you kidnapped me. And then you made the only person I'll ever love in my life hate me. I completely despise you. So..., I take that as a no, you do not want to go out with me tonight.
It's a risk-reward thing. If I do go out and try and play and get hurt again, then I'm definitely out. I've got no chance to go. If I'm ready, then great. It's getting better. I've been doing a lot more in the last couple of days. I've got a day off (on Wednesday) and then hope to come back in on Thursday and really see where I am at and test it out. Hopefully I'm going to play this weekend but, in reality, we'll see.
The flukey part of it is, back in the early days, I had that guitar decorated with all kinds of crap wallpaper, 'Flower Power' - then that got all shaved off. And during the course of cleaning the bass up again, some of the wood got shaved down, and it probably became a lighter body than the stock factory model.
I used to play trumpet when I was a kid, and then I got braces, and I couldn't really play it anymore, so sometimes I wish I could still play that; I think it's a great instrument, so maybe one of these days I'll pick it back up.
I hung out a lot with the ring crew guys. I got along better with them then I did the other guys, the other talent. The guys that show up early in the morning and set the ring up and stay there all day and then take the ring down and drive five and six hours that night to get to the next show.
Back in the old-school days when I learned back in the '60s, the psychology of our business back in those days was totally different than the psychology of the young kids today. They're rushed. They don't have their timing down. Us old-school guys, we'd go 30 minutes, 45 minutes, an hour.
After my early days of being a passionate young Elvis fan, Chuck Berry, Little Richard, etc. I got interested in Ray Charles and Ella Fitzgerald. Then I got turned on to the blues. I realized how important it was to our music in England at the time. Everyone was into the blues. Then you start looking at the different kinds of blues, and you follow the journey backwards from Chicago to earlier times back down to the Delta to the Memphis Blues.
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