A Quote by Graham Linehan
The creative process requires a period of boredom, of being stuck. That's actually a very uncomfortable period that a lot of people mistake for writer's block, but it's actually just part one of a long process.
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I'm a writer, so I interview people all the time, and I think of it as being a very creative process. Giving interviews is actually one of the most creative parts of the film promotion process.
You have to be very productive in order to become excellent. You have to go through a poor period and a mediocre period, and then you move into your excellent period. It may be very well be that some of you have done quite a bit of writing already. You maybe ready to move into your good period and your excellent period. But you shouldn't be surprised if it becomes a very long process.
For Russians in the '90s, there was that sense of not knowing what the future held at all. And coming off a long period of when people actually were robbed of the ability to plan their future - that's very much a part of totalitarian control - that exacerbated it. In this country, we are not coming off a long period like that. But I think that for a lot of Americans, as a result of globalization, as a result of the housing crisis, the future is just too uncertain. And their place in the world is too uncertain.
The creative process is just a process and you can't really separate it from life. Growing your hair is a creative process. Your body is creating hair. Being alive is a creative process. Whether it's growing something in the garden or growing a song, the material accumulates. It's the process of being alive; it's the passage of time. Things change.
Aly and I went through just a long period of time where we just didn't feel creative musically. And, you know, we went through the whole writer's block thing, and we went through having two pretty successful records and figuring out how we want to transition as adults.
The producer, in effect, has to work as a translator. You form a very tight relationship with the director and writer from the beginning, and then you are constantly communicating to the various people that begin to come into the process, as you are trying to manage to hold on to a vision that needs to be communicated over a long period of time.
A lot of people seem to think that data science is just a process of adding up a bunch of data and looking at the results, but that's actually not at all what the process is.
I create work, and I devote myself to the creative process, and I try to stay pure in that process and be worthy of the messages that I receive. You can't sit down and write 300 compositions in a three-month period and think that you're doing it all by yourself.
As an actor, you see a sliver of how the show is made, but to see the actual writing process and the re-writing process and the casting process and art direction and set design - all of this is happening in a very intense period.
The hardest period for a writer is the period in-between writing. That's when you can go crazy if you don't allow the creative juices to flow.
Actually the writer is the most important part of the filmmaking process. That's why I never hesitate in giving credit to a writer which I don't think even Hollywood does.
For a long period in my life - it lasted about 10 years - I had writer's block.
The mistake we make with many people - not just Russia - is that we believe we have the model, and there is a sort of a condescension in our dialogue with other societies, which was especially painful in several administrations to Russia. I think in Russia, the Yeltsin period is not considered a period of great achievement, but a period of corruption and humiliation.
I often tell people who want to write historical fiction: don't read all that much about the period you're writing about; read things from the period that you're writing about. There's a tendency to stoke up on a lot of biography and a lot of history, and not to actually get back to the original sources.
I wasn't taking so many drugs that it was messing up my creative processes. It was a very good period, 1968 - there was a good feeling in the air. It was a very creative period for everyone.
We have to accept that making movies is a never-ending process of occasional progress, frequent setbacks, and unexpected curveballs being thrown our way. Navigating that process requires stamina, curiosity, openness, and creative fire.
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