A Quote by Graham Linehan

There are some actors who come alive in front of a crowd, and if you've cast it right, there's an energy between cast and audience that can be exhilarating for both parties, then enjoyed by the audience at home.
It's important for us to certainly cast some Christian actors who can speak to our audience when we market the films, but obviously we don't discriminate. So our crew and our cast, the beliefs don't really matter.
The one thing that I love about the live audience is the energy level. Like, from the minute of cast introductions, it's just constant energy being traded back and forth. When you do something funny, the audience laughs; when you're being serious, you can, like, feel the tension going through the audience.
There's one thing about TV that I really think is true. If you find the right cast and the right writers, and you got some chemistry going, even if a show is taking a little while to find an audience, if you keep it there, that audience will find it. Because that's what happened with 'Cheers.'
When I write a play, my whole intent at bottom is to get the audience to be in the cast, to get that audience on stage with the actors and to get them thoroughly involved in what's going on.
At one time, smaller, and story-heavy films were not appreciated much but exposure has made the audience aware of what great story-telling is. This has also ensured that the right actors are cast for the right kind of roles.
Sometimes improv doesn't work on TV because the audience had heard the thing that was shouted and they're very much alive, the audience in the room - they're alive in that moment. Whereas the audience sat at home on the sofa, it feels like it's part of a party that they haven't been invited to.
I have worked alone and with a cast and enjoy the process both ways. There is more back-and-forth with a full cast, and you can feed off the other actors' performance.
When I'm on stage, my interaction with the audience is something that really makes me come alive. It's a feeling like no other. The energy of the crowd fuels something new inside.
You know, radio was a really easy way to do the shows. You'd come in, do a read-through, there'd be a few rehearsals, then you'd come the night of the show and do it in front of the audience and then go home.
I want to cast correctly, and then I want them to live on screen. If I cast the wrong actor, I'm screwed. But, if I cast the right actor, it really works out. The casting process is so important.
On 'Scandal,' the majority of the cast, if not all of the cast, comes from theater, so it's a healthy environment. People come into work and actually go home to their families.
Part of the pleasure of giving a reading comes from the rapport between the audience and the poet. I don't want to get mystical here, but there's an energy flow that begins with the poet, and the energy goes out to the audience, and they're energized, and then they return that energy to the poet. As someone standing up there alone, facing these people, I can feel that rapport (or its absence).
I got so lucky on my 'Red Widow' cast. It was just the universe looking out for me that I got those actors. It's a big ensemble cast, a very international cast. I don't know how that happened.
When I'm on stage, my interaction with the audience is something that really makes me come alive. It's a feeling like no other. The energy of the crowd fuels something new inside. It reminds me to live in the moment.
The theater is a communal experience, and whatever the emotional connection between an audience member and the actors onstage, it ripples through the whole audience. Part of the fun of the play is being a part of that audience.
I got on stage and I went, "Oh wow. No stage fright." I couldn't do public speaking, and I couldn't play the piano in front of people, but I could act. I found that being on stage, I felt, "This is home." I felt an immediate right thing, and the exchange between the audience and the actors on stage was so fulfilling. I just went, "That is the conversation I want to have."
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