A Quote by Graham Linehan
Basically if you're trying to write films in England you might as well decide to hide for two years. It's just meetings with people who don't really have any money but pretend they do.
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I just hate meetings. Though it's true that once you've made a lot of money, people around you might be full of ideas about ways to make lots more money and might be disappointed that you don't want to seize every opportunity to do so.
I see many people trying to write well about the wilderness, and essentially failing. To me there are basically two aspects of a failed outdoor story. One is the phony epiphany on the mountain top.
I just really like people, and being a freelancer can be lonely during the day, when you're at home trying to write anything you can. 'Flight Of The Conchords' was so wonderful because I had a family for two years.
Absent a lot of surprises, stocks are relatively predictable over twenty years. As to whether they're going to be higher or lower in two to three years, you might as well flip a coin to decide.
It's disingenuous to... pretend the sources of our money don't impact the policy we write - you just can't serve two masters.
I suppose it's nice that I've made films that some people have heard of and respect. That's great. And it's certainly helpful in some regards, but they're really tough economic prospects. They always have been, and that's not necessarily getting any better. And not just the films, but it's also been a rough 10 years for that independent film market. And so I have stumbled onto this point in the timeline where the kind of stuff that I'm trying to do is not... it was a lot easier to know what to do with it 20 years ago.
For the last two years, since I left IMPACT in 2018, I've spent basically the last two years just trying to be healthy, be strong, be ready for when that opportunity comes and I sort of felt like that's what I've been putting into the universe.
I'm the most out-of-work actor I know. In the last two years I've basically taken meetings for a living.
I don't put any pressure on myself in terms of what people or fans do or don't want. It really just doesn't occur to me. I honestly just want to make the films I want to see as a fan. The film will survive or fail in my mind by how much I like it. Having said that, everyone wants their films to do well and to be well-received.
I'm pretty unfussy when it comes to what a TV show should be, or what a movie should be. A lot of people are trying to maintain the theatrical experience for films. That's not really who we are or what we're about. We come from this fundamental understanding that we're just blessed that someone is giving us any money to make something in this town.
There are films that cost a lot of money that might be decent films. But if they don't perform in that first weekend or two, they're gone.
If you're trying to diet, what do you do? You grab your two friends and say, 'We're going to the gym; let's do this together.' Money shouldn't be any different. If you're trying to make progress, if you're trying to save more, we really need to be able to get support.
Films have been my only passion in life. I have always been proud of making films and will continue taking pride in all my films. I have never made a movie I have not believed in. However, though I love all my films, one tends to get attached to films that do well. But I do not have any regrets about making films that did not really do well at the box office.
Overall, we had about 50 meetings where the brothers would say that I couldn't do any solo records, I couldn't write for other people, I couldn't do this and I couldn't do that. These guys were trying to nail my feet to the ground.
For the most part, French cities are much better preserved and looked after than British cities, because the bourgeoisie, the people who run the cities, have always lived centrally, which has only recently begun to happen in big cities in England. Traditionally in England, people who had any money would live out in the suburbs. Now, increasingly, people with money live in the cities, but this has changed only in the last 20 or so years.
Hollywood is just a bunch of people going around in Learjets to other people asking them if they've got any money? Well, they might have if they didn't spend it all on jets.
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