A Quote by Graham Linehan

I'm not really good at character or plot development. I'm just interested in big comedic moments. — © Graham Linehan
I'm not really good at character or plot development. I'm just interested in big comedic moments.
The biographical novel sets out to document this truth, for character is plot, character development is action, and character fulfillment is resolution.
The characters are the plot. What they do and say and the things that happen to them are, in a sense, what the plot is. You can't take character and plot apart from each other, really.
It's not the plot [of Valley of Violence] - the plot is the reason to get all these things to happen, all these character moments to happen. It was always meant to have these two perspectives.
Also, as an author, character has always been what I'm most interested in - much more so than plot or setting, although those are good things too.
I don't plot with huge detail, just big moments and important elements, and then I have a structure but can fly by the seat of my pants when I write.
With shows like 'The X-Files' or 'Eerie, Indiana' - even though they would have comedic moments, even though they would have character moments - there was a sincerity about magic.
I think of my life as a series of moments and I've found that the great moments often don't have too much to them. They're not huge, complicated events; they're just magical wee moments when somebody says 'I love you' or 'You're a really good at what you do' or simply 'You're a good person'.
Stand-up is just me trying to be as funny as possible in the most concentrated hour with me standing on stage with no storyline, no plot line, and no character development.
I believe in plot, in development of character, in the effect of the passage of time, in a good story - better than something you might find in the newspaper. And I believe a novel should be as complicated and involved as you're capable of making it.
Plot is very important to me, but I think my stories are stronger in character development.
I didn't want to do comedy again. It is way harder when you are doing comedy. You can't just concentrate on the character and the plot. In comedy, the writers, instead of obsessing about character and plot, obsess about the jokes.
I don't really have a drive toward being a director at all. Not that I wouldn't rule it out, but I just don't think my instincts lie necessarily in a very visual way. But I am very interested in storytelling, narrative and character development, so writing is something that I absolutely want to do.
When sex is necessary for the plot of a book, or a character development, then I don't shy away from it. Why should I?
With six weeks' worth of recuperation time, you'll also be able to see any glaring holes in the plot or character development. And listen--if you spot a few of these big holes, you are forbidden to feel depressed about them or to beat up on yourself. Screw-ups happen to the best of us.
I've been called a funny person, for a long time. I don't know that I know anything about comedic acting. I'm not a good improver, which is what a lot of comedic actors are really good at. I have failed miserably when I've been asked to improvise.
Personally, my taste is towards development of a character, as well as the resolution of a story plot. I like to find both, if I can.
This site uses cookies to ensure you get the best experience. More info...
Got it!