A Quote by Graham Moore
I started a novel right before 'The Imitation Game,' so it's funny now, four years later, to be coming almost back to finishing it.
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The things that are happening to me are unbelievable. I'm actually busier right now than when I played football. This is almost like I'm coming back out of retirement. It will be fun to see myself in the game.
After my first novel, my mother said to me, 'Why don't you make your writing more funny? You're so funny in person.' Because my first novel was rather dark. And I don't know, but something about what she said was true. 'Yes, why don't I?' Maybe I was afraid to be funny in the writing. But since then, seven books later, almost everything I've done has a comedic edge to it.
CB4 is never coming back. A few years later, I think I'm a much better player. It's funny, even all the way over here in Africa, people are telling me, 'We need CB4 back.' I can't be that. That's impossible.
[ Lady Susan novel by Jane Austen is] extremely difficult to adapt. I worked on it for years, for, like, ten years, before I started showing it to people. This was my back-burner project.
In '94, I started writing a novel about an enormous terrorist act that destroyed the United States. The novel takes place twenty years after this destruction, with all the stuff that we're dealing with now - a dirty war, the disappeared, the concept of terrorism. Anyway, 9/11 happened some years into the process, and I was like, OK, I don't have a novel.
No, I always wanted to be a singer. It was kind of funny that I took this road, started acting, then-almost ten years later-in Wayne's World people finally got to see me sing. And everyone thought it was dubbed in.
I met Peter Sellers when I was 21 and we got married ten days later. He was not right mentally, but I hung in there for four years before I left.
If you're writing a novel, you're in a room for three or four years. There's not much coming in from the outside.
I actually started an adult book, worked on it for about two years, and then decided it just wasn't coming together for me, and thought I'll go back to children's books, and almost immediately I started 'Holes,' and it just seemed to take off on me.
In the case of my second film The Fish Child (El Niño Pez), I had written the novel about 5 years before I made into a film. In the case of The German Doctor I had published the novel a year before I started writing the script, I even had another project to shoot. But I had this idea of the powerful cinematic language from the novel that I couldn't let go of.
I went to school four years later than most people because I was a teen father, hustled on the streets, worked, lived on welfare and the like, and didn't get to college until almost 21. That's when I officially got licensed and ordained, right after that.
You couldn't changed history. But you could get it right to start with. Do something differently the FIRST time around. This whole business with seeking Slytherin's secrets... seemed an awful lot like the sort of thing where, years later, you would look back and say, 'And THAT was where it all started to go wrong.' And he would wish desperately for the ability to fall back through time and make a different choice. Wish granted. Now what?
I've never asked a player if they would sign my shoe. I've certainly had players come up, even before the game has started, and say, "Hey, after the game, can we trade jerseys?" It's kind of like, "Well, let's get through the game first and we'll deal with that later."
But a funny thing happened four years later. I was invited to play for an alumni team against the Red Wings.
Yes, it has made me happier. Finishing them has made me happier. Before I wrote the Potter books, I'd never finished a novel. I came close to finishing two.
I graduated college in 1992 and didn't reach a sizable audience with my column for nine solid years. If I had started ten years later, or ten years sooner, everything could have happened sooner, obviously. But if I had started fifteen years later? I don't know.
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