A Quote by Graham Moore

When you use the language of 'fact checking' to talk about a film, I think you're sort of fundamentally misunderstanding how art works. You don't fact check Monet's 'Water Lilies.' That's not what water lilies look like; that's what the sensation of experiencing water lilies feel like. That's the goal of the piece.
I like not lady-slippers, Nor yet the sweet-pea blossoms, Nor yet the flaky roses, Red or white as snow; I like the chaliced lilies, The heavy Eastern lilies, The gorgeous tiger-lilies, That in our garden grow.
I love Monet: his 'Water Lilies' would look great on my wall. But would I prefer to see money helping kids get better from cancer rather than spending it on a work of art for my own personal indulgence? Yes, I probably would.
I have to accept my role. I will never kill myself like Vincent Van Gogh. Nor will I paint beautiful water lilies like Monet. I can't do that. I'm in the idiot role of being a kiddie book person.
I was a lot younger - when I wrote Water Lilies. I was like 26. It felt so natural to write about adolescence.
Everyone knows French artist Claude Monet's "Water Lilies," which he painted in his garden. You find the images everywhere from galleries to dorm rooms and dentists' lounges.
The first place that I can well remember was a large pleasant meadow with a pond clear water in it. Some shady trees leaned over it, and rushes and water-lilies grew at the deep end.
I wanted the ending of 'Water Lilies' to be open, so that everyone can have their point of view about what will happen to the girls.
But, for all that, they had a very pleasant walk. The trees were bare of leaves, and the river was bare of water-lilies; but the sky was not bare of its beautiful blue, and the water reflected it, and a delicious wind ran with the stream, touching the surface crisply.
And lilies are still lilies, pulled By smutty hands, though spotted from their white.
I wrote the screenplay for 'Water Lilies' while I was studying screenwriting at La Femis film school in Paris, and the director Xavier Beauvois, who was on the graduation committee, told me I had to make the film myself.
Where Cezanne captured and intensified shards of the eternal (every pear far more sharply defined than it could be in life), Monet portrayed the changeability and flux of every moment. 'The Water Lilies' give you a jittery, amorphous sense of a world seen at the speed of light.
Really, with 'Water Lilies', the project was to end the movie where other movies would begin.
In a marshland amongst the crocodiles, there float beautiful water lilies! Even in the Hell, one can find the good and the beauty.
I filmed 'Water Lilies' in Cergy-Pointoise, a middle-class suburb about 20 km outside Paris. It's where I grew up and where Eric Rohmer filmed 'My Girlfriend's Boyfriend' in 1986.
Once upon a time there were two parents, two children, and a brick house with lilies in the yard. The parents died, the lilies wilted. One child disappeared. Then the other." Pg 225
The rose does best as a rose. Lilies make the best lilies. And look! You - the best you around!
This site uses cookies to ensure you get the best experience. More info...
Got it!