A Quote by Graham Nash
Wealth and fame can only be so important in the face of musical magic
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It's not only the wealth of sounds in Omnisphere; You're struck by the fact that you hear magic sound after magic sound.
They say fame is important and that maintaining your fame is even more important. But to me, the most important thing is to deserve the respect of your fans.
There is always magic to be summoned at any point. I love to live in a world of magic, but not a fake world of magic. We all really basically have a lot of magic... It’s only those of us who choose to accept it, that really understand it. It’s there for everyone. That’s the only thing that I feel I am able to give to people and that’s why I know that they respond to me because I try to give them only their own magic... not mine, but theirs
I can tell that fame is probably the most unadorable thing about acting. High School Musical is what got me here today and I'm very grateful - but the fame part isn't so fun.
My success is not about the wealth and fame. I am most concerned with my relationship to God, which is the most important.
Love, when it came and knocked on my door, was going to be enough. And that unknown author who'd written that if you had fame, it was not enough, and if you had wealth as well, it was still not enough, and if you had fame, wealth, and also love ... still it was not enough - boy, did I feel sorry for him.
My show 'Fame: Not the Musical' is about the fact that fame is seen in two ways in our culture: either as a glittering bauble we desperately covet, or as a narrative of tragedy and despair. My own experience of fame is a third, mundane way, which often involves being mistaken for someone else - Ian Broudie from the Lightning Seeds, or Steve Wright.
People are intrigued by fame, power and wealth and I think Hollywood is the only place where you get all three together.
Bare-faced covetousness was the moving spirit of civilization from its first dawn to the present day; wealth, and again wealth, and for the third time wealth; wealth, not of society, but of the puny individual, was its only and final aim.
If you aim for only wealth, beauty, fame, & power, you aim too low. Humility, gentleness, gratitude, & service is aiming high.
And that's what I don't like about magic, Captain. 'cos it's *magic*. You can't ask questions, it's magic. It doesn't explain anything, it's magic. You don't know where it comes from, it's magic! That's what I don't like about magic, it does everything by magic!
When you step out and do a song in a musical, the easier thing to do is make it funny. But when those transitions become necessary, when they aren't camp, that, to me, is magic. I've done musical comedies and enjoyed them, but subject matter that's deeper and more realistic is always what's appealed to me most.
If you have fame, you never feel that you have fame, if you have the brains of a flea. Because fame is something that's over back of you. It ain't ahead.... Not ahead at all. I mean, if you've done it that's great, but "what are you going to do now?" is the only thing that matters.
As far as fame, the everlasting fame thing. I used to think that was important for a writer... the desire to make your mark.
Lenin is said to have declared that the best way to destroy the Capitalist System was to debauch the currency. By a continuing process of inflation, governments can confiscate, secretly and unobserved, an important part of the wealth of their citizens. By this method they not only confiscate, but they confiscate arbitrarily; and, while the process impoverishes many, it actually enriches some. The sight of this arbitrary rearrangement of riches strikes not only at security, but at confidence in the equity of the existing distribution of wealth.
When people use the term magic realism, usually they only mean 'magic' and they don't hear 'realism', whereas the way in which magic realism actually works is for the magic to be rooted in the real. It's both things. It's not just a fairytale moment. It's the surrealism that arises out of the real.
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