A Quote by Graham Nash

I realized at one point that David and I had not made a record together in almost 26 years and I thought that that was absurd because, first of all it had gone so fast, I didn't really realize, neither did David, that it had been that long.
David Holdaway was my stage name. I was an actor for about eight years in the '90s. I had to change my name because there was another David Nicholls, and I thought if I changed it to my mother's name, she'd be touched.
Whenever I approach a record, I don't really have a science to it. I approach every record differently. First record was in a home studio. Second record was a live record. Third record was made while I was on tour. Fourth record was made over the course of, like, two years in David Kahn's basement.
I saw an early cut of 'The Disaster Artist,' and I thought it was inspiring in a lot of ways, and it made me realize it had been so long since I had tried to make a film or to try to - you know, the book was obviously my first kind of big creative pursuit I had control over.
I may have been on the cover of People and gone on 'David Letterman' and 'Arsenio Hall' because they had young audiences I wanted to talk to. But at the same time, I always did serious books or taught seminars.
I spent a long time on my first movie, which was the sequel to a short film that I did called 'Carne.' And I had no money. I shot it over a period of three years, a bit like David Lynch directed 'Eraserhead.'
I first heard Laura Branigan sing live in my brother Nesuhi's apartment, where we had gone because he had a very good piano. I immediately realized that she had a great pop voice, in the classical sense. Laura had an instinctive feel for music and melody, and her delivery was sensational. Everybody at Atlantic knew that we had a winner in this young lady, and she came through with great hits that will be remembered for many years to come. I consider Laura to be one of my best signings, and I am proud to have had such a great singer in my career in the record business. We miss her dearly.
I found a Bill Evans record in the bookcase and was listening to it while drying my hair when I realized that it was the record I had played in Naoko's room on the night of her birthday, the night she cried and I took her in my arms. That had happened only six months earlier, but it felt like something from a much remoter past. Maybe it felt that way because I had thought about it so often-too often, to the point where it had distorted my sense of time.
That one long scene in the Leftovers I have with David Gulpilil was seven pages long. When we finished it, Mimi Leder said, "I thought you were gonna do this in bits and pieces. You just did the whole thing." And I literally couldn't remember the scene. It wasn't that I was in a trance. I said, "Just keep shooting takes until you see what you want." In 48 years of acting, which is also how long I've been married, that had never happened to me.
A public relations firm said that rock star David Lee Roth owes them over $110,000. The strange thing is that it's the first time that David Lee Roth has had any publicity in ten years.
After my last girlfriend broke up with me, I looked at how our relationship had gone and how my previous relationships had gone, and even though those girlfriends had all been very nice women, I realized that I did not like being a boyfriend. I didn't like that role, so I thought I had to figure out some other way to, you know, have sex. And I much prefer paying for sex to being a boyfriend.
With 'Versace,' after I had gotten the , it was two weeks of preparation before I started filming, and I had read Maureen Orth's book; I had been able to get a hold of photos and really start to inhabit the mind of David Madson.
David's [Cunningham] a very interesting character. He has more integrity than is good for him. So, everything he did after that sort of undermined what he'd done. Other people who kind of took life more cheaply, would have really gone for it. David almost did everything he could to scupper the whole thing, which I very much admire, but of course it was deeply irritating then, because we wanted to make a bit of money! So we made this very catchy tune and then he added a bunch of weird stuff which was all very strange.
Mia and I had been together for more than two years, and yes, it was a high school romance, but it was still the kind of romance where I thought we were trying to find a way to make it forever, the kind that, had we met five years later and had she not been some cello prodigy and had I not been in a band on the rise - or had our lives not been ripped apart by all this -I was pretty sure it would've been.
If you could have had a fighter with David Price's body and my mind, you would have had the Great White Hope the United Kingdom has been waiting for for years. With my will in his body, we would have had this giant Scouser knocking everybody out.
David Lynch and I almost made a movie together in the late '80s. We had lots of dinners and lunches. He's a very cool, hip guy. This film, let's face it, is like an homage to him, I would imagine he'd find it funny.
After I had the Caesarean, I was told I had really strong stomach muscles and so would heal very quickly. And I did. I was up walking about within three hours. Six days after having her, I was out shopping and shortly after that I made it to David Walliams' wedding.
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