A Quote by Graham Nash

After six or seven performances of any song, you begin to perform it rather than feel it. — © Graham Nash
After six or seven performances of any song, you begin to perform it rather than feel it.
After thee accumulation of too much history we have lost our innocence, we cannot easily believe in any explanations. We describe rather than feel, we touch rather than explore, we lust rather than adore.
Now, everybody knows the basic erogenous zones. You got one, two, three, four, five, six, and seven. ... OK, now most guys will hit one, two, three and then go to seven and set up camp. ... You want to hit 'em all and you wanna mix 'em up. You gotta keep 'em on their toes. ... You could start out with a little one. A two. A one, two, three. A three. A five. A four. A three, two. Two. A two, four, six. Two, four, six. Four. Two. Two. Four, seven! Five, seven! Six, seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! [holds up seven fingers]
You can begin right now to feel healthy You can begin to feel prosperous. You can begin to feel the love that's surrounding you, even if it's not there. And what will happen is the universe will correspond to the nature of your song.
I wrote my first song when I was six or seven, a silly little song. But I used to write poems in high school - not songs.
I would rather have a player who has mastered two or three moves than to try to teach him six or seven.
There are a lot of people in Congress who would never have made a great career or fortune in any other profession. But after they spend a while hanging out with the rich guys, they begin to feel they've been undervalued, and that an eventual seven-figure income as a lobbyist isn't just an opportunity, it's their due.
I analyse performances on the pitch rather than any warm-up.
I do a lot of American plays. I've done a lot of Arthur Miller, Tennessee Williams and Neil Simon. I was in 'Sisters Rosensweig,' 'Six Degrees of Separation,' all of that stuff. So we're very familiar with America. I did 400 performances of 'Born Yesterday.' I did 700 performances of 'They're Playing Our Song.'
I'm not saying I wouldn't play a seven-string. It's just that I've never needed one. Most dudes who play seven-strings don't sound any different than someone playing a six-string that's tuned down.
Christmas at my house is always at least six or seven times more pleasant than anywhere else. We start drinking early. And while everyone else is seeing only one Santa Claus, we'll be seeing six or seven.
Very often, writing a song is a process that happens to me rather than one that I instigate. I feel a song coming on and, like a sneeze; I wait for it until it comes.
At the age of five, of six, at the age of seven, I used to begin weeping sometimes without warning, simply for the sake of weeping, my eyes open wide to the sun, to the flowers... I wanted to feel an immense grief inside me, and it came.
In fact, I had never imagined that seven years after my ordeal, the #MeToo movement will start and that I will be talking about it all over again. This is nothing but karma. Dibakar has directed six films, even though I didn't get any films after I went public with my allegations.
I am so excited to perform; I am so ready to perform; I love live performances! I think it's something so different from a track; live is just so unique and cool because the energy is just so different. I cannot wait to have live performances.
And yeah, my handicap was down to a 10 when we were at the thick of it. I trained for six or seven months, golfing every day for six hours, seven days a week, with eight trainers. It was intense.
I had six or seven documented concussions, so I had a lot more than that. But I feel fine.
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