A Quote by Graham Phillips
The caliber of actors I'm getting to work with and learn from on a daily basis is phenomenal for me as a developing actor.
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For me, it was a wonderful surprise because I saw wonderful actors being very professional working in front of me [on Chicken with Plums]. I finally understood what an actor is and what an actor does. On a daily basis, it's a bit repetitive.
In my estimation, there are four kinds of people that live on this earth: average, good, great, and phenomenal. Phenomenal is like Mother Theresa. She's dead, but we still talk about her on a regular basis. That's phenomenal.
The good things about Chicago save me on a daily basis, like getting to work with my students, seeing a beautiful part of the city, or seeing the people that I love.
Soaps are really like boot camp for acting. You learn about the industry, you learn about being on stage, and you learn about showing up on time. The sheer volume of work, on a daily basis, blows your mind and forces you to really work that muscle of memorization and just being able to change things on your feet.
Every film you work on is different, and that's part of what it's like for anybody who works on a film, is to learn how to work with others. Learn from top to bottom. Actors have to learn how to work with the director and the director has to learn how to work with actors, and that's not just those two departments.
Some actors come to casting and ask me, "Didn't you see my previous roles?" We do not work with actors like this. Their previous roles do not matter; I need the actual work with an actor in this particular character that has been written in our script. What matters is flexibility, believability and efficiency of an actor.
The dream would be to work with my two favorite actors, Daniel Day Lewis and Cate Blanchett. Or playing Joaquin Phoenix's brother in a film. Basically anything where I get to act opposite actors like these; ones who bring a certain caliber to their work and literally morph into the character they are playing.
The actors at that time had to learn all that stuff, it wasn't just hyperbole. What was appealing to me about being an actor at that time is that there was a home base, with job security. You were employed on a regular basis, and you had to sometimes do things you didn't want to do, but it was there. I also liked Hobie Doyle positivity.
It's a very wise thing for people to rationally sit down and look at what the risks are not only on a daily basis, on a weekly basis, on a monthly basis, on a yearly basis, on a lifetime basis, and then plan one's life accordingly.
As an actor, there is always an opportunity to learn from the other actors you work with.
Also, there's the caliber of actors that we keep getting. Lorraine Bracco plays my mom and Chazz Palminteri plays my father, and Brian Dennehy and Donnie Wahlberg have been on the show. And, we've got Billy Burke from Twilight. We've gotten all kinds of fantastic actors. That speaks for itself.
I continue to look for opportunities to learn on a daily basis. I try not to settle into a routine, and I attempt things that challenge me.
As an actor, it seems like we're always trying to get a job, so when you actually have a job, it's just amazing to get to work on your art on a daily basis and do what you love.
I'm sure there are actors out there who work with other actors on a consistent basis - I am not one of them.
For me, a lot of these actors are new. For me, I only worked with Finn Whittrock and Michael Chiklis. So a lot of these actors are people I've been a huge fan of for years and are bucket-list actors for me to get to work with. It's pretty surreal now getting to step into scenes with them.You all get to find your characters together.
You know I grew up on the Batman movies, and they had some terrific actors in, but you know a lot of the other ones - it wasn't always the case that you had people the caliber of Jeff Bridges or Robert Downey, so to kind of show up and work with Jeremy Renner or Robert or with Mark Ruffalo, any of them, Chris Evans, Chris Hemsworth, the caliber of people you're acting with, to me, is really fun. From the first day I started doing scenes with Robert, it's been one of the funnest experiences I've ever had.
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