A Quote by Graham Sutherland

In painting, you have to destroy in order to gain... you have got to sacrifice something you are quite pleased with in order to get something better. Of course, it's a risk.
I was willing to put it at risk in order for someone to gain, in order for the situation to get better.
We must sacrifice something in order to make the world better.
Academic achievement was something I'd always sought as a form of reward. Good grades pleased my parents, good grades pleased my teachers; you got them in order to sew up approval.
Most of us function under the model we have to get something in order to do something, in order to be something. If this happens, then I will be happy. And I'm suggesting to you that we live our entire lives based on that model, and that model is fundamentally flawed.
Above all, it's never blind chance: it's a chance that is always planned, but also always surprising. And I need it in order to carry on, in order to eradicate my mistakes, to destroy what I've worked out wrong, to introduce something different and disruptive. I'm often astonished to find how much better chance is than I am.
And no relationship is perfect, ever. There are always some ways you have to bend, to compromise, to give something up in order to gain something greater.
No relationship is perfect, ever. There are always some ways you have to bend, to compromise, to give something up in order to gain something greater.
If I were to be super critical, I would say Formula One is too tactical and not strategic enough. And that brings us back to the digital issue: you may have to invest in order to gain - sacrifice some short-term effects in order to make high returns in the future.
That's what artists do, that's what poets do - we all do it. We start with something, and sometimes we destroy everything that we've made in order to get to the core place where we started from.
You have to hurt in order to know. Fall in order to grow. Lose in order to gain. Because most of life's lessons are learned through pain
There is something that always will be true about painting and sculpture - that in order to really get it, you have to show up. That is something that is both sad and kind of beautiful about it. It remains analog. It remains special and irreducible.
You need to have a reader's sympathy in order to accomplish anything. It's like at a reading, I find it's better to read something funny than to read something tragic. It just goes over better because you have a finite amount of time with somebody. Of course, in a book, you have a lot of time. But you still do want to make a certain impression right when you begin.
It is a clear gain to sacrifice pleasure in order to avoid pain.
Would you destroy Something perfect in order to make it beautiful?
Freedom can flow from order. That is not to say that freedom always flows from order because you can have a totalitarian order and you can have an undemocratic order from which freedom will not flow, but that surest way to destroy freedom is to have chaos.
People will often, almost always, prefer a male God. A male image of God gives them this sense of security, safety, order, no nonsense. So that's where their psyche is at. Probably it's something that they've got to go through. Not that there isn't a need for order in the world, but the mystical level seems to be the mature level of religion, and there the question is not order but union - divine union. And so, without some integration of the feminine, usually you never get to the mystical level.
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