A Quote by Graham Swift
One of the things that probably drew me to writing was that it was something you could get on with by yourself. Publishing means going public. But the actual activity could scarcely be more invisible. And private.
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When I used to teach writing, what I would tell my playwriting students is that while you're writing your plays, you're also writing the playwright. You're developing yourself as a persona, as a public persona. It's going to be partly exposed through the writing itself and partly created by all the paraphernalia that attaches itself to writing. But you aren't simply an invisible being or your own private being at work. You're kind of a public figure, as well.
To me, writing is much freer than dancing. With writing, you could do it whenever you wanted. You didn't have to do little exercises and stay in shape. You could have great moments of inspiration that advanced the story. In dance, unless you're going to choreograph things yourself, you're at the service of someone else.
Publishing is not evolving. Publishing is going away. Because the word "publishing" means a cadre of professionals who are taking on the incredible difficulty and complexity and expense of making something public. That's not a job anymore. That's a button. There's a button that says "publish," and when you press it, it's done.
To me, writing is much freer than dancing. With writing, you could do it whenever you wanted. You didnt have to do little exercises and stay in shape. You could have great moments of inspiration that advanced the story. In dance, unless youre going to choreograph things yourself, youre at the service of someone else.
Writing the novel felt so private to me! I think publishing a novel is quite public and exposing, and what's a little frightening to me right now is the fact that it feels so entirely opposed to the privacy that is writing.
[Veterans] have been treated very badly.That includes - veterans' choice so veterans can either attend a public V.A. facility or if they have to wait online like they've been doing, sometimes for as much as seven days and then still not get proper care, they'll go to a private medical center or they'll go to a private or public or something, they will go outside .they'll go to a private doctor, they'll go to a private hospital, they'll go to a public hospital. We're going to get them care and we're going to pay for their - that care.
Sometimes you get there in spite of the route Losing track of your life and what it's about The road seems to know when to straighten right out... I could wonder if all of it led me to you I could show you the arrows and circles I drew I didn't have a map, it's the best I could do On the fly and on the run
I don't think anyone is ever writing so that you can throw it away. You're always writing it to be something. Later, you decide whether it'll ever see the light of day. But at the moment of its writing, it's always meant to be something. So, to me, there's no practicing; there's only editing and publishing or not publishing.
I love writing. I'm not particularly comfortable in the actual world - I'm much more comfortable on the page. So if I could have a life where I could just slip the pages under the door and somebody would slip me a meal back, then that would be perfect for me.
I've always been a very emotional person and as a child. I guess writing felt like something that I could do in private to process things.
You become a writer on a television show, and you see yourself doing bigger and better things, you don't wait till they tell you, "Here's the way to do bigger and better things," you start writing. You start writing that material that you might be doing off to the side. Nobody's going to be paying you for that, but it could turn into something big.
I think the reason for my fascination with craft is what it represents, what it means in our culture, what it means in our history and in humanity. It was the idea that you could go to your butcher to get something, you could go to your tailor to get this, and you could go to your cobbler to get that.
If I could have the tabloids stop writing as much about me, and still get paid the same amount that I do, then I'd be quite happy. But I suppose it comes with the other things. If I'm not in the public eye, and then I'm not wanted, and I'm not getting endorsements, I'm not being talked about, my records aren't going to be bought.
One of the things about the modern world is that the public and the private - which is not the same as the public and the personal - but the public and the private... it's very, very much harder than it used to be to have things that are private and things that are public.
I admire Joyce Maynard a lot, specifically her memoir "At Home in the World." Her writing is beautiful and fascinating and seemed to give me validation to the idea that I could write validly in earnest about my life with (my) very feminine point of view, and also that I could unapologetically explore the bad traits of my character (which I find to be more interesting to explore than the good traits), as well as explore other concepts that interest me like private vs public personas, age gap relationships, etc.
People are like houses. They could open their doors. You could walk through their rooms and touch the objects hidden in their corners. But something--the structure, the wiring, the invisible mechanism that kept the whole thing standing--remai ned invisible, suggested only by the fact of its existing at all.
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