A Quote by Graham Swift

Structure that really pays off is all based on emotion. I don't write down an elaborate plan. It's really done by feel. It's one area of my writing that I think I've got surer at as I've evolved.
Structure that really pays off is all based on emotion. I don't write down an elaborate plan. It's really done by feel. It's one area of my writing that I think I've got surer at as I've evolved. In my work you often get an abrupt shift in time, a jolt. But the emotional logic will take the reader on. I hope. I trust. After all, our memories do not work with any sequential logic.
I feel like R&B is really based off of emotion and truth. R&B is a conversation.
Most of the time I write my best songs just from feeling a strong emotion, so whether I'm just really angry or really sad or really happy, I immediately sit down at a piano and I begin writing a song.
I was trying to write then and I found the greatest difficulty, aside from knowing what you really felt, rather that what you were supposed to feel, and had been taught to feel, was to put down what really happened in action; what the actual things which produced the emotion that you experienced.
The two important facts I should say, are emotion, and then words arising from emotion. I don't think you can write in an emotionless way. If you attempt it, the result is artificial. I don't like that kind of writing. I think that if a poem is really great, you should think of it as having written itself despite the author. It should flow.
What do you really want? Sit down and write it out on a piece of paper, write it in the present tense. You might begin by writing, 'I am so happy and grateful now that...' and then explain how you want your life to be in every area.
I am a very emotional person. I basically think and feel in emotion, so writing is much easier for me than communicating by voice or by talking to somebody just because I can really get into the emotion more succinctly with writing. So I guess that's what makes me a better writer than speaker.
I write chronologically in my life, so whatever's going on, I write about it. Usually, that's when I feel the most cohesive body of work is formed. I got to live this crazy life, I got to write about it, and now I've got this record that I'm really proud of, too. It's not done, but when I put it out, it's gonna be good.
My nutritionist says, 'If you bite it, write it.' Writing down everything that you put in your mouth really helps. I don’t count a damn calorie. But when I’m really trying to eat healthy, I write everything down. It really holds me accountable and puts me on a healthier path.
I don't know why I write. The honest answer is that I don't have an answer. I wouldn't die if I couldn't write fiction. Actually keel over and die - it's unlikely. But quite quickly writing has come to feel like the only thing I really know how to do. And I go a bit stir crazy if I don't write more or less every day. But that makes writing sound like a mood-regulator, a way to regulate anxiety or depression, and it doesn't really come down to that.
When you're really trying to make serious change, you don't want people to get caught up in emotion because change isn't emotion. Because change isn't emotion. Its real work and organization and strategy - that's just the truth of it. I mean, you pull people in with inspiration, but then you have to roll up your sleeves and you've got to make sacrifices and you have got to have structure.
When I'm writing I don't feel any pressure. It's after I'm done that I start freaking out. But really, when I'm in Lebanon, I don't write much because I'm surrounded by family. I feel immersed, or enmeshed, in too many currents. I love that, but it's not conducive to writing. In San Francisco, nothing interferes with me but my cats.
I really, really enjoy fitting words together - but I only enjoy it when it's easy, when it sort of rolls along by itself. I never erase anything [and] I hardly ever write anything down... The song will be finished before I write it down... I won't write a song unless it serves me in some way, unless I feel I have to write the song to make myself feel better. If you're not overflowing with something, there's nothing to give.
I write in the studio, I don't sit around with a piano or a guitar and write songs. I get satisfaction out of that because I can finish the song really quickly. I can use whatever momentum I have. I've got to put it down, develop it, and get it as far [as I can], because the excitement of the moment of when you get that idea - you want to try and hold it and build on it and really gain strength from it. Being in the studio and writing songs like that is really the best way.
I got into the business because I love writing. When it came down to finding my voice, which every writer has to take time to do, I think I realized I write black people very well. I write us in a very honest way, and I want to hear the way we really talk.
All my career, all that I've really done has been based on emotion and intuition and gravitating toward what sounds good.
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