A Quote by Graham Taylor

People always remember the second half. — © Graham Taylor
People always remember the second half.
I believe the second half of one's life is meant to be better than the first half. The first half is finding out how you do it. And the second half is enjoying it.
I can't remember how many years it's been since I last saw a David Parsons program or what I saw whenever it was, but that isn't surprising, since I can't really remember the first half of a David Parsons program while I'm watching the second half.
For is it not possible that middle age can be looked upon as a period of second flowering, second growth, even a kind of second adolescence? It is true that society in general does not help one accept this interpretation of the second half of life.
Because I have been a magician for many years, people have often asked me whether I ever have sawn a woman in half. I reply, Oh, yes I've sawn over seventy women in half in my lifetime, and I'm learning the second half of the trick now.
What, are you totally psycho?" I shouted. "Maybe I am!" he screamed back at me. "Maybe that's just what I am. Maybe I'm that quiet guy who suddenly goes nuts and then you find half the neighborhood in his freezer." I gotta admit, that one stumped me for a second - but only for a second. "Which half?" I asked. "Huh?" "Which half of the neighborhood? Could you make it the people on the other side of Avenue T, because I never really liked them anyway.
I think it's important to remember that by the second half of our lives, we are meant to see in wholes, and no longer just in parts.
The first half [of Valley of Violence] was to endear you to all these people and give you all these archetypes that you're familiar with, and then the second half, just to see all those archetypes unravel like real people.
The average TV commercial of sixty seconds has one hundred and twenty half-second clips in it, or one-third of a second. We bombard people with sensation. That substitutes for thinking.
On the second half of 'Under Pressure,' I talk about my family, and there are voicemails on my phone from when I was on the road that actually make up the second half of the nine-minute song. I transcribe them and rap them as if I were my sister, my brother, or my father.
Think about the deflections. The offense can't score every play. They're just trying to get a good shot. If I can deflect a pass, even if it doesn't cause a turnover, it will throw their timing off half-a-second. That half-a-second might mess up their shot.
My personal philosophy is that people should be extremely selfish for the first half of their life and extremely unselfish for the second half because then they can do the most good.
If one of our players gets his second foul in the first half, then he must come out of the game and not re-enter until the second half. To play defense and not foul is an art that must be mastered if you are going to be successful.
The second time is the one we remember, where memory begins. Putting the moments in order is only half the story. What matters is the weight of the moments as they accumulate.
Something I always wanted to do, to capture that later half of the '70s. It's like the early half of the '70s is still the '60s, in that there's still kind of a playfulness and inventiveness in terms of design and the things that were going on in the culture. The second half, it got much more commodified. It's possibly the ugliest era of architecture and clothes and design in the entire 20th century, from 1975 to '81 or '82.
People talk about Kobe's 81-point game, the second-highest scoring game in NBA history. I saw the game. I don't care if it was 79, 81 - I just remember the game. I remember the moves. I remember the shots. I remember the beauty of it. The numbers? What he shot from the field? I don't care.
I always thought that I would spend the first half of my life making money so I can spend the second half of my life giving it all away. And one of the defining moments of my life was when I realized that I could do both at the same time with TOMS.
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