A Quote by Graham Yost
If you put people in a corner, you see what their character really is.
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I had the chance to visit all 56 counties in Montana in my pickup. You can put Washington, D.C., in one corner of our state and put Chicago in the other corner, and that's the size of my congressional district.
I think that a lot of the time I don't go for something in particular. I see what comes to me, I filter it out. I never really strive to play a particular character or do a particular genre of film. As long as it's a good script and a great range of people and my character is really interesting I can't see any reason not to do it.
Every character is so different, if you put the photos next to each other, you see how different I looked and how different I tried to be. And that's what I really enjoyed, that I could really be a different character every time.
In Formula 1 there is so much grip, you can attack the corner so hard and be so aggressive in corner entries, and that doesn't really work in IndyCar. You have to bring that back a bit and be more precise in the mid-corner to exit.
When you are writing, you have to love all your characters. If you're writing something from a minor character's point of view, you really need to stop and say the purpose of this character isn't to be somebody's sidekick or to come in and put the horse in the stable. The purpose of this character is you're getting a little window into that character's life and that character's day. You have to write them as if they're not a minor character, because they do have their own things going on.
There is a version of me people see. I don't think I play up to it, I think it's more other people put it out there. People see the football side of me, but I'm a different character away from it.
It's the opposite on a sitcom. People crave the character to not learn from their mistakes. They want to just see the situation, and then see how that character is going to react to that particular chaotic catastrophe. That's just my take on it, anyway. I don't really get too hung up on what the future of the show is.
There seems to be a feeling we need Klaus to be in 'The Vampire Diaries,' surely and partially because of the Klaus and Caroline dynamic, but many people love the character. They want to see more of the character, but people really have a tendency to fear the unknown.
As a writer, you have to put yourself in service to the character, get behind their eyes by delineating the world where the character develops. You have to listen to the character and see him inside his certain world to know what conclusions he would draw.
Out of the corner of one eye, I could see my mother. Out of the corner of the other eye, I could see her shadow on the wall, cast there by the lamplight. It was a big and solid shadow, and it looked so much like my mother that I became frightened. For I could not be sure whether for the rest of my life I would be able to tell when it was really my mother and when it was really her shadow standing between me and the rest of the world.
It was really special for Bass Pro Shops to take Tracker off the side and put Joplin, Missouri on there. They have helped me a lot this past week with putting together ways to raise money to help rebuild Joplin. It's my hometown. It was heartbreaking to see the tornado and see all the people that lost their homes and the ones that lost their lives. It is really special that Johnny let us put that on there. Hopefully we made some people proud tonight.
I love people like Renée Zellweger who aren't afraid to look unattractive and really put themselves into a character role and to really be an actress instead of just thinking "Am I on-screen pouting and looking beautiful?" because that's not really what it's about.
I do want to say, though, in terms of the people who are coming to see [Donald Trump], how thrilling it was to turn the corner and see people from entertainment, from the private sector, people of different races and ethnicities.
I kind of put myself out there a lot just because I trust the people I'm working with. You have to see what works and what doesn't. Sometimes it's not my job to find that out, it's just my job to do what the character calls for. And if you change the character I'll do that too.
You can relax more when you're playing a silly character than when you're playing a really rigid character. But to be fair, I think George Clooney is a bigger teenager than any of the 'Twilight' cast. He's the guy throwing a football at your head and then hiding around the corner, pretending it wasn't him!
Obviously, with a CGI character, you're building a character in much the same way as a real creature is built. You build the bones, the skeletons, the muscles. You put layers of fat on. You put a layer of skin on which has to have a translucency, depending on what the character is.
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