A Quote by Granit Xhaka
One of the most revealing details about my parents is that they only got together three months before my dad's arrest.
Related Quotes
The negative about acting is that you have to spend a great deal of time away from your friends and loved ones, but it's not like working a 9-5 job and only having two or three weeks off a year. I may not have seen my girlfriend for two or three months, but then we can spend two or three months together solidly.
I've got three kids. I worry about them but the gospel freed me and freed my wife. We are not trying to make our kids think that we're super spiritual or we've got it all together. They see mom and dad being real people. What they hear dad talking about at home is not different from what they see from dad [at church]. That won't guarantee that they'll avoid the whole PK, MK thing. But we are hopefully not contributing to what normally produces that crisis, which is pretending.
I begged my parents to let me go to LA for three months just to try it out. Three months turned into five years.
The first time I went to Iraq was October 2002, when Saddam was still in power, and then, subsequently, in January of 2003, about three-and-a-half months before the U.S. invasion. So, I got to see the before and after of Iraq, basically, before and after the war.
I gave it up three weeks before my black belt, foolishly. I got to my third brown belt and must have trained for 18 months but never went for it. I was nearly 18 and got this thing in my head about, ' Who are they to grade me?' Trying to be a rebel when I should have done it. It's my only regret, not going for a black belt.
And so not only do you have to make that work, you can't really start putting the thing together in any form because some of the shots are very short and obviously many of them take so long, you're waiting months and months and months before you can see if it's going to be working emotionally.
Not a lot of people know this story but I actually got into the business without even telling anyone in my family. It was something I did on my own and I had been training for six to eight months before I told my dad and my step-dad.
I was 14 in Barcelona, and when I initially went there, I didn't see my mum for six months and my dad for four months. Australia is far from Spain, but I don't remember how long or how short the days felt. I think what was most difficult for my parents was that if anything went wrong, they couldn't say, 'OK, we'll be there in a couple of hours.'
I may not have seen my girlfriend for two or three months, but then we can spend two or three months together solidly. It's swings and roundabouts.
I got the job [in Moana project] about six months before we started rehearsals. No, seven and a half months before we started at the Public, and so, it's been my ocean of calm throughout the Hamilton phenomenon.
I ate Bengali food after my parents married and Dad started living with us, in both Willesden and in Delhi for three years, and then we all moved to California. Dad said he could make a really good dal, but I never saw him cook during the whole time we lived together.
The report I remember most vividly from school is the one I destroyed before I got home, telling my parents I'd lost it. Three words stood out, and still do: 'Must try harder'.
My mom and my dad are still together, but so many of my friends who got married just a few years ago aren't. Maybe it's that we compare ourselves to our parents' generation, thinking, 'Who's still together, and are they happy?'
I watched my parents lose everything, from a house to birth certificates. We were homeless for about six months, then we stayed in Baltimore, and my parents got jobs.
Movies are details. Movies are billions of details that come into a certain moment. So with all the years and months and weeks and days and minutes of preparation, then finally you're shooting and it all comes down to these moments when you're shooting, which is sort of insane when you think about it. The details make a difference.
For each detail I include, I throw dozens away. So I guess the first trick is to pick the right details, the most revealing details. Then I think one must simply write quick, clean, bright prose. For me, this means rewriting and rewriting: almost never adding, almost always cutting.
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