A Quote by Grant Bowler
I pretty much always choose characters. That's what I do. That's what I look for. I look for dynamics in a script and potential.
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I choose movies, I never choose roles. I look at the script. I look at the director. I look at the other actors - and then the role.
What I look for in a script is the plot point and whether they're strong, obviously, or not, whether the characters are rich or not, and if I can do justice to the character or not. Some movies you look at and the script is so bad that no one can do anything with the script.
I can't really iterate what I look for in a script. It's a very subjective thing. Like an organic attachment you have with the script and characters.
I look for something unique, and I look for people who haven't reached their potential. I think I'm pretty good at developing talent.
I'm very comfortable with how I look. I always have been. I think I look pretty good. There's nothing I want to change. I'm pretty happy with what I've got.
It's also a reasonable scientific program to look at the dynamics of the standard model and to try to prove from that dynamics that it is computationally capable.
Whenever you look at any potential merger or acquisition, you look at the potential to create value for your shareholders.
If you look at old pictures, Irene Casey is so pretty. Not just young, but pretty the way you look when your face goes smooth, the skin around your eyes and lips relaxed, the pretty you only look when you love the person taking the picture.
The reaction has been amazing because there is no woman that could look at these covers and not be like, 'That's what I could look like,' or, 'I pretty much already look like one of these chicks.' It really makes beauty seem so much more attainable to people.
I like characters with character, not just pretty faces. Anyway, I think people can be both grotesque and beautiful at the same time. Look at Mick Jagger in the seventies. Look at Angelina Jolie.
I don't necessarily look for what I respond to in a script. I look for things that scare me, and take that as an indication that I should probably do it. I don't want to be bored. I look for challenges. I look for a variety of different things because it's so easy to go the cliche route.
When I look at a character, I never look at the size of the role. I always look at the whole person, no matter how much they're featured in the movie.
I have three styles. One is my Hypebeast tomboy look, which is pretty much my everyday look.
My stories are pretty simplistic, but the characters are always complex and always right, and that comes from the script and my research and reverse-engineering what I find in the real world.
It's not about the script: it's about who the director is and who the other people in the cast are. Because you can look at a great script and execute it in a very sophomoric way, and you can look at an OK script, and you can execute it in a very sophisticated way and come out with something really good.
The way I need to look, it's a very personal thing. When I started experimenting, it was to make myself feel happy, to look in the mirror and be satisfied. I never did drag or anything like that. It was always that I wanted to be pretty, to look beautiful, as a girl would want to.
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