A Quote by Grant Hart
I think a lot of people are having their midlife crisis in public. I think if you left something unfinished, go ahead and do it. But I guess I can't really answer that question in respect to my own music, because it's inconceivable.
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The midlife crisis you're having at 30 is indulgent, but the midlife crisis you have at 45 is to an extent thrust upon you.
I sometimes get short-tempered in a public situation because I think, Oh God, I can't go back over that again. I can't put that into a two-word answer. I can't. Wherever I go, people say, "Can I ask you a quick question?" It's always, "a quick question." Well, my answers are slow.
There's still people that do it poorly... and people that do it very, very well. I think there's still an incredible spectrum. I guess there's something that's appealing in it, in that everyone on some level is a DJ. But people still go to clubs, and there's still... it is interesting - with everyone having an iPod now - when music is so personalised and things like Pandora and making your own playlists, there's something really powerful about a room full of people all dancing to the same song.
I was having a really-early-onset midlife crisis, and then something clicked in an improv class, and I knew.
A dialogue is very important. It is a form of communication in which question and answer continue till a question is left without an answer. Thus the question is suspended between the two persons involved in this answer and question. It is like a bud with untouched blossoms . . . If the question is left totally untouched by thought, it then has its own answer because the questioner and answerer, as persons, have disappeared. This is a form of dialogue in which investigation reaches a certain point of intensity and depth, which then has a quality that thought can never reach.
I think I have a certain respect for people, you know. And I guess a lot of times I expect that respect to go both ways.
Women's liberation and the male midlife crisis were the same search--for personal fulfillment, common values, mutual respect, love. But while women's liberation was thought of as promoting identity, the male midlife crisis was thought of as an identity crisis.
Some people go off to an ashram or they, you know, have a midlife crisis and buy a sports car. For me, I do 'Hedwig,' and I see it's a midlife crisis maybe, and I see what's next. And it's a good trampoline, maybe, into the next part of my life.
The favorite game of temperamental people is Try to Guess Why I’m Ticked Off. (Contestant number one, Why do YOU think he’s pissed off? Why, I’m not sure, Bob, but I’m going to go with ‘Because I Left the Faucet Dripping.’ BEEP. I’m sorry, that’s incorrect. The correct answer is: ‘Because You Happen to Exist.’)
I think a lot of people get intimidated by the language of music, but everyone owns music. I think there's nothing standing in between a composer and her audience. I think a lot of people feel that way because they feel it's rarefied, but it's really not. You should feel the impact of it without being able to name it because it's ultimately a primal thing.
I'm really into everything. Something I've been asked throughout the years I've done the show is, "What kind of music are you into?" I find that to be a bizarre question, because it implies there are people out there that are only into one specific kind of music. But I think I, like most people, enjoy a wide variety of music.
I think the most exciting thing is that you expect people our age to know the music, but actually a lot of kids know the music, and if anything is left, we have left really good music, and that's the important part, not the mop-tops or whatever.
It was great for me to go through all of my crazy Ferraris in my twenties. I think it was an inoculation against any kind of a midlife crisis.
I talked to people that I'd done theater with, older actors and stuff. There's a lot of people who go into the business, and they must think they're good, or they wouldn't be in it. Why do you think that you're good enough to go into the business and make money at it? So I really wanted to ask myself that question a lot. Because it was an important kind of thing that I was going to do. I really wanted to do it, I loved it, and I thought that I was good enough that I could make money at it. And that's really what it came down to.
I think I've always been aware of it with my music. I think growing up basically and having a lot to deal with and just slowing down and having something to say and something to retract from, I think I just knew that what I was doing was extremely honest.
I think there are certain genres of music where people are allowed to go on, but there is something about rock and roll, I guess because it originally started out to be a teenage rebellion.
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