A Quote by Grant Heslov

I didnt want to be 50 or 60 and auditioning for a three-line role. — © Grant Heslov
I didnt want to be 50 or 60 and auditioning for a three-line role.
I didn't want to be 50 or 60 and auditioning for a three-line role.
It's important to keep auditioning. If you're auditioning for something, you're auditioning for a role that people can't see you in and you need to convince them that you're the right person.
I'm amazed. When I was 40, I thought I'd never make 50. And at 50 I thought the frosting on the cake would be 60. At 60, I was still going strong and enjoying everything.
I do believe 50 is the new 40 and 60 is the new 50. Hell, maybe 60 can be the new 40, I don't know. I believe that when we give ourselves permission, we can live with an excitement and heat and passion that most women in previous generations were unable to attain.
I realise I'm still a child, though I do feel older. I recently did an on-line test called 'What's Your True Age?' My result was 50-60 years old.
Ive done a lot of shows that didnt do well. You have to go in with a 50-50 take on it. If it goes well, fantastic. Hope for the best and plan for the worst.
I didnt finish the stories until we went to the Philippines and I got malaria. I couldnt work and I didnt have any money, but I had seven stories. So I wrote three or four more.
I didnt wear the pink panties because I didnt want America going crazy with excitement.
Moisturizing every night is important. When you're 50 or 60, it's going to show if you don't take care of it. You have to prepare when you're young, so you still have that healthy, glowing skin when you're 60 or 70.
I don't think auditioning will ever faze me again after the 'Grease' TV experience. It was fierce. There were thousands of people auditioning in four cities. I flew from home in Minneapolis to audition in L.A. I waited in line all day. I arrived at 7 A.M. and wasn't seen until 6 P.M.
I landed the role in 'Caddyshack' auditioning, like everybody else. It wasn't a role I thought I'd get, so I had nothing to lose.
I want to be Jacques Pepin. I want to have a nice 50-, 60-year career. I want to be on PBS when I'm 70-something, still kicking it, having a great time, showing up in Aspen to sign cookbooks. I just want to have a nice, big, long career.
It's really exciting to know that people want to use the house as a house and want to live there although it hasn't been a used, occupied space in 50 or 60 years.
Most of the Womens Libbers I knew really didnt want to have a piece of the mens pie. They thought that pie was kind of poisonous, toxic, really full of weapons, poison gases, all kinds of mean junk we didnt even want a slice of.
This is what kids want to see. You see these Playstations, they scoring 50 and 60 with one player, that's what they want to see on TV and I don't go with that.
I don't know who can constantly afford to go and see things. A play, which has five people in it and one set and it cost you 60 quid? And you're in a theatre that really hasn't had a great deal of money spent on it in the last 50 or 60 years? It's kind of weird.
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