A Quote by Grant Heslov
I think it's more interesting to throw people into a story and let them catch up instead of explaining and feeling like you have to slow down for them. I think audiences, for the most part, they don't want to be ahead of you.
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I think girls from a young age know what they want, and boys kind of have to keep up and catch up to them. Even in kindergarten, girls are pretty much the ones that like the boy first and the boys are like, 'Oh, I want to play with my trucks.' They think it's not cool. I think girls are definitely more ahead than boys.
I think my first general rule is that most of my experiences are not that interesting. It's usually other people's experiences. It's not that entirely conscious. Somebody tells me a story or, you know, repeats an anecdote that somebody else told them and I just feel like I have to write it down so I don't forget - that means for me, something made it fiction-worthy. Interesting things never happen to me, so maybe two or three times when they do, I have to use them, so I write them down.
Well, see, I think it's that most people don't like that lonely feeling. People don't like looking up and feeling small or lost. That's what I think prayer is all about. It doesn't matter which stories they believe in, they're all doing the same thing, kind of casting a line out to outer space, like there's something out there to connect to. It's like people make themselves part of something bigger that way, and maybe it makes them less afraid.
Politicians are interesting people, most of them are smart and hard-working-I mean, they keep schedules no one else would think of keeping. Some of them live down to the caricature, but most of them are good people and they are charming.
"There are one or two elementary rules to be observed in the way of handling patients," he remarked, seating himself on the table and swinging his legs. "The most obvious is that you must never let them see that you want them. It should be pure condescension on your part seeing them at all; and the more difficulties you throw in the way of it, the more they think of it. Break your patients in early, and keep them well to heel."
I would love to document the Roots; I think they have an interesting story. I have a curiosity about them. Their musicality and their live performances I think would be great, and I have a feeling that there are stories behind each one of them.
I think it's keeping a surprise element, so that the audience never gets ahead of you. I like to pull the rug out from audiences, I don't like for them to think they know what's happening next.
Most leaders spend time trying to get others to think highly of them, when instead they should try to get their people to think more highly of themselves. It's wonderful when the people believe in their leader. It's more wonderful when the leader believes in their people! You can't hold a man down without staying down with him.
Most songs have meager beginnings. You wake up in the morning, you throw on your suspenders, and you subvocalize and just think. They seem to form like calcium. I can't think of a story right off the bat that was that interesting. I write things on the back of my hand, usually, and sing into a tape recorder.
It's OK for China to invent cancer drugs that cure patients in the United States. We want them to catch up. But as the leader, we want to keep setting a very, very high standard. We don't want them to catch up because we're slowing down or, even worse, going into reverse.
I think it's interesting that a lot of times people want celebrities to give back in the way that they want them to give back. They want them to give money to the cause they think is important and when that doesn't happen they say, "Oh, they're not doing anything." People think celebrities are going to solve their problems. People think because someone is famous or an athlete or a politician that the solution begins with them. All they're there to do is sell you a product.
I think Im extremely vulnerable and that in some ways I seek out rejection. Never feeling like youre getting that pat on the back from dad is probably at the heart of that. Im working through it, which is good. As an actor, I think that you want to keep your demons to some extent, but you also have to exorcise them so you can use them instead of them using you.
Unfortunately, I think I'm going to be typecast in Hollywood as the kid who can cry. I don't like putting audiences through those emotional ups and downs. I don't want people to think Dana Hill is so depressing all she does is cry. But the parts are so good, I can't turn them down.
Do not push so fast ahead, do slow down a bit! Otherwise you won't catch up with yourselves.
It's hard to tell if anyone's interested in reading a serialized story. But it's interesting to put in a cliffhanger each week. That was popular in old comic strips. They'd write a weekend story different from the daily strip. So people follow one story day to day, and a separate story on weekends. If you read them, you think "I'll read two more." Then you're like "I gotta find out!" And you read 500 more.
Pretty much all comic-book people, like all Hollywood people, for the most part, are pretty liberal. I think especially UK writers. Alan Moore is probably the most radical guy you'll ever meet. I grew up loving those guys, so my heroes, as a kid, were radical cartoonists, essentially. I couldn't help but - I grew up in a left-wing household. But I do think it's fun, writing right-wing characters. I've found it interesting, just as a writer, to get inside their heads and make them likeable.
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