A Quote by Grant Heslov

I didn't want to be 50 or 60 and auditioning for a three-line role. — © Grant Heslov
I didn't want to be 50 or 60 and auditioning for a three-line role.
I didnt want to be 50 or 60 and auditioning for a three-line role.
It's important to keep auditioning. If you're auditioning for something, you're auditioning for a role that people can't see you in and you need to convince them that you're the right person.
I'm amazed. When I was 40, I thought I'd never make 50. And at 50 I thought the frosting on the cake would be 60. At 60, I was still going strong and enjoying everything.
I do believe 50 is the new 40 and 60 is the new 50. Hell, maybe 60 can be the new 40, I don't know. I believe that when we give ourselves permission, we can live with an excitement and heat and passion that most women in previous generations were unable to attain.
I realise I'm still a child, though I do feel older. I recently did an on-line test called 'What's Your True Age?' My result was 50-60 years old.
Moisturizing every night is important. When you're 50 or 60, it's going to show if you don't take care of it. You have to prepare when you're young, so you still have that healthy, glowing skin when you're 60 or 70.
I don't think auditioning will ever faze me again after the 'Grease' TV experience. It was fierce. There were thousands of people auditioning in four cities. I flew from home in Minneapolis to audition in L.A. I waited in line all day. I arrived at 7 A.M. and wasn't seen until 6 P.M.
I landed the role in 'Caddyshack' auditioning, like everybody else. It wasn't a role I thought I'd get, so I had nothing to lose.
I want to be Jacques Pepin. I want to have a nice 50-, 60-year career. I want to be on PBS when I'm 70-something, still kicking it, having a great time, showing up in Aspen to sign cookbooks. I just want to have a nice, big, long career.
It's really exciting to know that people want to use the house as a house and want to live there although it hasn't been a used, occupied space in 50 or 60 years.
This is what kids want to see. You see these Playstations, they scoring 50 and 60 with one player, that's what they want to see on TV and I don't go with that.
I don't know who can constantly afford to go and see things. A play, which has five people in it and one set and it cost you 60 quid? And you're in a theatre that really hasn't had a great deal of money spent on it in the last 50 or 60 years? It's kind of weird.
70 percent of Turkey?s citizens favored the EU; today it is only 50 percent. If you ask if they want Turkey to become an EU member, 60 to 65 percent still say yes. But if you ask: Do you believe Europe will accept Turkey, 60 percent say no.
It's weird when auditioning for roles, because a lot of my mates go out for the same roles. You don't want to know that you're beating someone to the role.
As long as there are only 3 to 4 people on the floor, the country is in good hands. It's only when you have 50 to 60 in the Senate that you want to be concerned.
When I turned 50, I said to myself, well, if this is what it's like turning 50, I can't wait to turn 60 because I still felt very, very mentally and physically good, outside my back surgery.
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