A Quote by Grant Imahara

'MythBusters' sounded like such an incredible opportunity. Where else might I be paid to make robots blow things up? — © Grant Imahara
'MythBusters' sounded like such an incredible opportunity. Where else might I be paid to make robots blow things up?
I didn't know how to necessarily make good robots and I was scared of failing to make good robots, so I thought I might as well make bad robots to kind of alleviate the pressure of that.
When I used to work in special effects at the model shop, I couldn't imagine having a better job. We made spaceships and miniature cities and I was working on robots. Then the 'MythBusters' opportunity came along.
People always ask why I would leave ILM, and it's because 'Mythbusters' sounded like fun.
The first time I actually heard any of the Beatles' music it was in a car. I think it was the, the B side of their first record. I think it was "I Want to ... I Want to Hold Your Hand". And it, it really sounded different to me. And it sounded a bit like trouble, like this is something new 'cause I very rarely paid any attention to what anyone else was doing.
I think "MythBusters" is a step up from special effects because we not only have to make things look like they work, they actually do have to work. It's more challenging and even transcendental.
I think 'MythBusters' is a step up from special effects because we not only have to make things look like they work, they actually do have to work. It's more challenging and even transcendental.
If I wasn't rapping about politics, then I might have been just another person trying to sell albums, and I might have sounded like everyone else out there.
I might not be a psychiatrist, but I am convinced that sex is not as important as we tend to make it. First there is that little feeling, that little red flame, called love. Blow on the flame and make it get bigger like a fire, don't blow it out like a candle.
So robots are good at very simple things like cleaning the floor, like doing a repetitive task. Our robots have a little tiny bit of common sense. Our robots know that if they've got something in their hand and they drop it, it's gone. They shouldn't go and try and put it down.
I'd been at Valve since I got out of college. I felt like I kind of grew up there, and I wanted to see what else was out in the world. One of the owners of Airtight Games is a friend of mine, and he asked if I would run a team there. It just sounded like a great opportunity.
With regard to robots, in the early days of robots people said, 'Oh, let's build a robot' and what's the first thought? You make a robot look like a human and do human things. That's so 1950s. We are so past that.
I collect robots. They're mainly Japanese, American, and especially Russian - small robots, big robots, and old toy robots made between 1910 and the Fifties.
I do think that we have this incredible opportunity because being on-line - the Internet is a relatively new space - we do have this incredible opportunity to change that dynamic, to make sure that women are present in all sorts of spaces, not just women-only spaces.
Isaac Smith sounded like Curtis Fuller, Corey Hogan sounded like Sonny Rollins, Terrace Martin sounded like Jackie McLean. Already, at 13, 14, 15 years old.
I truly feel like my job is to make the shows. That's what I'm paid to do. It's somebody else's job to market them, and it's somebody else's job to pay attention to the ratings, because if I paid attention to all that, my head would explode.
They, and we, are the legacies of an unbroken chain of proud men and women who served their country with honor, who waged war so that we might know peace, who braved hardship so that we might know opportunity, who paid the ultimate price so that we might know freedom.
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