The true Tarot is symbolism; it speaks no other language and offers no other signs.
The Victorian language of flowers began with the publication of 'Le Language des Fleurs,' written by Charlotte de Latour and printed in Paris in 1819. To create the book - which was a list of flowers and their meanings - de Latour gathered references to flower symbolism throughout poetry, ancient mythology, and even medicine.
Since the boundary of the world of poetry is fluid, the language in it is also fluid. Hence, the language that is outside of the poetry world, namely the language that is not the language of poetry, cannot go into the poetry world.
We all need to learn a new language for love - a language that speaks not in socks, pancakes, and paychecks, but in shared fascination with physics or poetry, delight in each other's uniqueness, and mutual practical and emotional support.
We like to think we live in daylight, but half the world is always dark, and fantasy, like poetry, speaks the language of the night.
The language of poetry is not stuck in place. Nothing can own language. I think, however, the genre of poetry itself is very feminine and motherly.
Poetry was syllable and rhythm. Poetry was the measurement of breath. Poetry was time make audible. Poetry evoked the present moment; poetry was the antidote to history. Poetry was language free from habit.
You came so that you could learn about your dreams," said the old woman. "And dreams are the language of God. When he speaks in our language, I can interpret what he has said. But if he speaks in the language of the soul, it is only you who can understand.
I want a language that speaks the truth.
Nonfiction speaks to the head. Fiction speaks to the heart. Poetry speaks to the soul. It's the essence of beauty. The essence of pain. It pleases the eye and the ear.
Hip hop is at its essence a folk music, because it speaks the language that people are still speaking at ground zero, it speaks the language that people speak on the streets.
I don't think poetry will die, but I think that poetry does demand a certain kind of attention to language.
The Biblical worldview is not given to us in the discursive and analytical language of philosophy and science, but in rich and compact language of symbolism and art.
We believe we can also show that words do not have exactly the same psychic "weight" depending on whether they belong to the language of reverie or to the language of daylight life-to rested language or language under surveillance-to the language of natural poetry or to the language hammered out by authoritarian prosodies.
Poetry is simply literature reduced to the essence of its active principle. It is purged of idols of every kind, of realistic illusions, of any conceivable equivocation between the language of "truth" and the language of "creation."
That's why we trust the Bible - it speaks to both realities: the unchanging human condition and the constantly changing cultural conditions. It speaks to all generations. We trust the Bible because it's the truth. It was the truth when it was written, and it is the truth now. It's the truth now because it's living truth.