A Quote by Grant Morrison
I think any writer coming on to Batman should at least attempt to do their own definitive version. What it means to them. Whatever they think that symbol or character can say.
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I think any writer coming on to 'Batman' should at least attempt to do their own definitive version. What it means to them. Whatever they think that symbol or character can say.
I love 'Batman.' I love the Adam West 'Batman.' I love the animated 'Batman.' The character of Batman can encompass any interpretation, which is what makes that character so brilliant and why it's survived so many different media.
I think you should identify with your character, but plenty of people like themselves and hate themselves. You just have to find out what's truthful for the person you're playing. When people talk about that, I think what they're saying is that as an actor, as Peter, you don't want to make a judgment that comes from your worldview about the character. Your judgments should be coming from the place of the character, and within that space, sure, you could love or hate yourself or whatever you think is most appropriate.
My own doctrine of organization is that any body of people coming together for a purpose (whatever it may be) should consist of persons wholly wedded to said purpose and should consist of nobody else. If the purpose be Cannibalism (preference for Ham a la Capitalism) then nobody but a Cannibal should be admitted. There should be plenty of discussion and disagreement as to how and the means but none whatever as to ends.
I think that if you are sticking to the text, essentially, you're not trying to write your own version of it. I mean, of course, it is your own version of it. And every translator would probably have a different version. But I think that that's what keeps the writers from being individual in English. They may be my English, but I don't think that Ferrante sounds like Levi.
Batman is not a very interesting character. For any actor. There is simply not much to play. I think Michael Keaton did it the best, and I wish good luck to Ben Affleck. But, you know who would have made a great Batman? Alec Baldwin in the '80s.
I don't own an ounce of the work I've ever done on 'Batman,' and I still work on 'Batman.' I love the character, I think it's a lot of fun, and it's kind of fun to be in that ballpark every once in a while, where you're seeing a different crowd.
I say "on principle" [regarding 'lesbian writer'] because whenever you get one of your minority labels applied, like "Irish Writer," "Canadian Writer," "Woman Writer," "Lesbian Writer" - any of those categories - you always slightly wince because you're afraid that people will think that means you're only going to write about Canada or Ireland, you know.
And at the end of the day, there was an attempt to suppress a book. The book wasn't suppressed. It's freely available in whatever it is, close to 50 languages. There was an attempt to suppress the writer. And I'm happy to say the writer wasn't suppressed.
I have great admiration and respect for the editors, writers, and artists of the comic books. They're turning out, I don't know, maybe 100 Batman stories a year, and the character turns 70 years old in May. It's incredible: for 70 years, on a weekly basis, every Wednesday, there is some Batman story coming out, if not a bunch of Batman stories coming out.
I think no artist can claim to have any access to the truth, or an authentic version of an event. But obviously they have slightly better means at their disposal because they have their art to energize whatever it is they're trying to write about. They have music.
The two important facts I should say, are emotion, and then words arising from emotion. I don't think you can write in an emotionless way. If you attempt it, the result is artificial. I don't like that kind of writing. I think that if a poem is really great, you should think of it as having written itself despite the author. It should flow.
In a way, the great thing about Batman is that there are so many of him that you can usually find one you like. Often, it's the one that was current when you began following the character. But though you like the Batman of one decade, you may well despise (and not recognize the validity of) the Batman of some other decade. If you've been a fan of the character for forty years, you probably hate half of them.
I have a great fondness for any character I work on. Whether it's somebody like Batman or Harley Quinn or whatever character I'm writing, I just really enjoy the heck out of it, and I try to do the best job I can with it.
I always think the recipe for success for a game or any sort of a fantasy experience is to think of a character that hasn't really been explored before, who is unique and has special abilities that not everybody has, and plop them into whatever is the most interesting situation to plop them into.
I tend to think some things are off-limits. Not in the sense that you should not be able to say them, but you need some care about how and when you go into them. If you wanted to make a joke about concentration camps you should think twice. At least twice.
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