A Quote by Grantland Rice

It's not whether you won or lost, but how many bad-beat stories you were able to tell. — © Grantland Rice
It's not whether you won or lost, but how many bad-beat stories you were able to tell.
My family were great story-tellers. My mum was one of 12 and they were all fighting to tell stories. You have to tell a good tale or no one is going to listen. You have to make it entertaining and interesting. That's how I learned to tell stories.
In the context of September 11, there were so many that lost their lives that - how do you single out one person? There were so many acts of heroism that day from so many people, whether it be firemen and police officers in New York and our agents also.
I know one thing for certain; it is much harder to tell whether you are lost than whether you were lost, for, on many occasions, where you are going is exactly where you are. On the other hand, if you often find that where you've been is not at all where you should have gone, and, since it's much more difficult to find your way back from someplace you've never left, I suggest you go there immediately and then decide.
We have to tell the stories of the everyday Americans who are adversely impacted by these policies. That's how we were able to keep the Affordable Care Act from being repealed. People told their stories; people showed up at Town Hall.
History is not the past. It is the stories we tell about the past. How we tell these stories - triumphantly or self-critically, metaphysically or dialectally - has a lot to do with whether we cut short or advance our evolution as human beings.
When I was about twenty-one, I published a few poems. Maybe I wrote a couple of stories before, but I really began to write stories in my mid-thirties. My kids were still little, and they were in school and day care, and I had begun to think a lot about wanting to tell some stories and not being able to do it in poetry.
There are so many people that want to tell stories. I think that the issue is how hard it is to get your foot in the door to tell your stories.
I simply couldn’t conceive of how devastating it would be not to be able to hear my children’s voices. Not to be able to communicate with them, to hear them learn, grow, and express themselves verbally. How fortunate, how blessed I am. This overwhelmed me. I can talk to my children, I can respond to their needs and comfort them when they tell me they are unwell. I can tell them stories and hear them tell theirs.
What does it matter, if we tell the same old stories? ...Stories tell us who we are. What we’re capable of. When we go out looking for stories we are, I think, in many ways going in search of ourselves, trying to find understanding of our lives, and the people around us. Stories, and language tell us what’s important.
Things like Kitchen Cabinet, I'm not sure they necessarily tell the Australian people whether you have judgement, whether you have discernment, whether you have intellectual acuity, whether you are able to develop policy, whether you are able to represent individual cases to the highest levels of government successfully and in a manner that actually achieves outcomes.
Never tell 'em how many lettermen you've got coming back. Tell 'em how many you lost.
I think that, as a filmmaker, you're always making the same film, regardless of how many different stories you tell. This is the case for me, whether I'm making documentaries or fiction films.
So many of you have lost everything. I do not know what to tell you. But surely he knows what to tell you! So many of you have lost members of your family. I can only be silent; I accompany you silently, with my heart...
When I was a practising lawyer in the family court, there were too many judges who, when you left their courtroom, you didn't know whether you'd won or whether you'd lost.
You can only tell so many bad-guy stories.
What I usually do is tell funny stories from the road, many of which are, of course, unprintable. But I don't actually have a joke. I don't tell jokes much. I tell little stories.
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