A Quote by Graydon Carter

We really care about photography at 'Vanity Fair.' — © Graydon Carter
We really care about photography at 'Vanity Fair.'
We really care about photography at Vanity Fair.
I'm not a publicity hound. I don't care about being on the cover of 'GQ' or 'Vanity Fair.'
I think that magazines like Vanity Fair are still operating under the old rules, and that if you come to work for a magazine like Vanity Fair, even today, you're certainly expected to treat people like Peggy Siegal very deferentially.
Vanity Fair' caught me at a very exciting time in my life filled with night clubs, international fashion shows, celebrities and lots of cash to go around. Sometimes things just fall into place. 'Vanity Fair' was one of those things.
'Vanity Fair' caught me at a very exciting time in my life filled with night clubs, international fashion shows, celebrities and lots of cash to go around. Sometimes things just fall into place. 'Vanity Fair' was one of those things.
It beareth the name of Vanity Fair, because the town where 't is kept is lighter than vanity.
The 'Vanity Fair' article was interesting to do because it was the first time I ever really had the opportunity to be absolutely truthful with a reporter about every aspect of my life.
The President of the United States again, whether you guys like the guy, you dislike the guy, he's the smartest person that I've ever worked for. So let Vanity Fair write about that, I honestly don't care. He has intuition, he has judgement and he has a temperament in a way that I have never seen.
I'd known the people at Rolling Stone for a while. I'd gone to them with a piece I'd done on Beirut for Vanity Fair that Vanity Fair didn't want to publish, because they said I was making fun of death... This was Tina Brown.But they paid me for it. So I've got this big chunk of a piece, and Rolling Stone liked it, but they thought it was a little dated. But then they called me back and asked me to do a similar piece about the Turks and Caicos Islands, where the whole government had been arrested for dope smuggling. That was fun.
I don't really read that many magazines; I'm more of a browser. I get 'Vanity Fair' quite often if I'm on a train.
For me photography had an immediacy... I was trying to resolve certain issues. What was fair or unfair about how people lived, and how they had to live? I thought the most penetrating and most immediate way to get to some of those questions was through photography.
My photographs are not really about photography. They are about editing. I use photography but they are all taken from the TV screen. Anybody can do that, but it's the order I put the pictures in to try to create a new kind of movie, something that you can put on your wall.
I care about a lot of issues. I care about libraries, I care about healthcare, I care about homelessness and unemployment. I care about net neutrality and the steady erosion of our liberties both online and off. I care about the rich/poor divide and the rise of corporate business.
But here is the single greatest thing about the 'Vanity Fair' party: There are uniformed In-N-Out Burger employees circulating the room with trays of cheeseburgers all night long.
I'm not particularly invested in, nor do I really care about, photography in a general sense. It's a medium that's relatively ubiquitous, readily accessible, and that I have some facility with, so it makes sense for me to use it.
If I photograph you I don't have you, I have a photograph of you. It's got its own thing. That's really what photography, still photography, is about.
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