'The Guardian,' with its deep journalistic traditions, is careful about context and explanation. It sees itself as a gatekeeper, and it worries about consequences.
I'm just very careful with my words when I write. Obsessively careful. I'm the sort of person who worries about the difference between "slim" and "slender."
The gentleman has nine cares. In seeing he is careful to see clearly; in hearing he is careful to hear distinctly; in his looks he is careful to be kind, in his manner to be respectful, in his words to be sincere, in his work to be diligent. When in doubt he is careful to ask for information; when angry he has a care for the consequences; and when he sees a chance for gain, he thinks carefully whether the pursuits of it would be right.
I love food, but I can't bear to read about it, to talk about it, to discuss the consequences and context of how we consume it. And this is more or less how I feel about raising children, too.
Pulling a gun's trigger can be an appalling act. But if it is suicidal drawing fire to save someone, it has an utterly different meaning. Placing your hand on someone's arm can be an act of deep compassion or the first step of betrayal. The punch line? It's all about context, and the biology of context is vastly more complicated than the biology of the behavior itself.
You tell me which society is going to be the winner in this 21st Century: One that worries about how we feel or the one that worries about making sure that the next generation has the capacity to eat everybody's lunch.
No one can say just how long a message should be, but you rarely hear complaints about a speech being too short. The amateur worries about what he is going to put in his speech or article. The expert worries about what he should take out.
The Jesus I follow is the peacemaker, is one who says forgive your enemies, who worries about the poor, who worries about the poorest of the poor instead of the richest of the rich.
Ideas have far-reaching consequences, and one must be ever so careful about what one allows to lodge in one's brain.
Alone among all creatures, the species that styles itself wise, Homo sapiens, has an abiding interest in its distant origins, knows that its allotted time is short, worries about the future and wonders about the past.
I like technology, but 'Black Mirror' is more what the consequences are, and it doesn't tend to be about technology itself: it tends to be how we use or misuse it. We've not really thought through the consequences of it.
With 'Downsizing,' a lot of the discussion hasn't been about the film itself, but about cultural and political conversations happening outside of it. It's being digested in the context of the time.
Art is about the context in which it is made as much as the object itself; objects take on different meanings in different contexts. If the artist is unaware of the context, it's very unlikely the work will be very good.
Because I'm a special gatekeeper. I'm the head gatekeeper. Because, although, as you can see, I'm only a head, I'm also the gatekeeper. Which makes me the head gatekeeper. Which makes me very special, don't you agree?
A mind that worries about the past is distracted, and a mind that worries about the future is delusional.
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The best crime stories are always about the crime and its consequences - you know, 'Crime And Punishment' is the classic. Where you have the crime, and its consequences are the story, but considering the crime and the consequences makes you think about the society in which the crime takes place, if you see what I mean.