You can't really appreciate a work of art until you can understand how difficult it was to create. And that's probably true of any work of art - a rock, a tree, a bird, a fish, a sunrise made of light and air.
I try to take the time to appreciate and I certainly do appreciate and I do feel proud but that is probably one of the things I need to work on, building a bit of time for myself.
The representative element in a work of art may or may not be harmful, but it is always irrelevant. For to appreciate a work of art, we must bring with us nothing from life, no knowledge of its affairs and ideas, no familiarity with its emotions.
I'm very tolerant of other art and other artists. But what I truly appreciate, what I truly admire in contemporary art, is work that takes on more than it can sometimes handle - art that gets in over its head.
To appreciate a work of art, is it okay to like what you like, and the heck with the art critics and experts? Absolutely.
There were periods when the art market got overheated, but there is no reason it should appreciate dramatically.
You've got to appreciate the things that come from the art of the Negro and from the heart of the man farthest down.
Some people are born to make great art and others are born to appreciate it. … It is a kind of talent in itself, to be an audience, whether you are the spectator in the gallery or you are listening to the voice of the world's greatest soprano. Not everyone can be the artist. There have to be those who witness the art, who love and appreciate what they have been privileged to see.
I rap and I sing, so then you've got a bit of hip-hop in there. I'm Jamaican, so you got a bit of dancehall. And I'm from London, so there's a bit of London things in there... And at sometimes, it's a little bit Afrobeat.
In most modern instances, interpretation amounts to the philistine refusal to leave the work of art alone. Real art has the capacity to make us nervous. By reducing the work of art to its content and then interpreting that, one tames the work of art. Interpretation makes art manageable, conformable.
I think you can appreciate different interpretations. Art is not a contest. I can even appreciate hearing someone play something in a way that I wouldn't.
I like art with a sense of humor. I don't have a huge art education to understand everything. I don't think that means that art has to be watered down to the lowest common denominator, though. I don't think you have to go to college to be able appreciate great art, but I like art that doesn't take itself too seriously.
Art is often defined as a famous masterpiece in a gallery, and we are meant to visit the work and view it to appreciate it. But that is not all there is.
I can consider not only great art, but the context in which that art has been created. I can consider the people who paid a price for that art to be created and whether or not I want to appreciate that art on their backs.
I don't really like to work with literary allusions very much. I never want to be in a position where I'm saying, "You've got to read a lot of other stuff" or "You've got to have had a good education in literature to fully appreciate what I'm doing."
I had a good, sound upbringing with sensible people around me. I was brought up by intelligent parents. My mother always said to me, "You've got to work at your career and you've got to be good at it. Okay, you've had a bit of success but that's not longevity. You've got to really work for a long time."