A Quote by Grayson Perry

Beauty and seriousness are perhaps the most shocking tactics left to artists these days. — © Grayson Perry
Beauty and seriousness are perhaps the most shocking tactics left to artists these days.
When one has praised Turgenev, however, for the beauty of his character and the beautiful truth of his art, one remembers that he, too, was human and therefore less than perfect. His chief failing was, perhaps, that of all the great artists, he was the most lacking in exuberance. That is why he began to be scorned in a world which rated exuberance higher than beauty or love or pity.
There are some people who might have better technique than me, and some may be fitter than me, but the main thing is tactics. With most players, tactics are missing. You can divide tactics into insight, trust, and daring. In the tactical area, I think I just have more than most other players.
Seriousness is the refuge of the shallow. There are events and personal experiences that call forth seriousness but they are fewer than most of us think.
A lot of the difference between an IM and GM is a seriousness to the game. The GM is willing to go through all this. He's willing to put up with anything. This shows his dedication. One other thing is the GMs superiority in tactics. For example Christiansen can find tactics in any position. If you're a GM you should be able to overpower the IM tactically. The GM will often blow out the IM in this area.
Unless we look at a person and see the beauty there is in this person, we can contribute nothing to him. One does not help a person by discerning what is wrong, what is ugly, what is distorted. Christ looked at everyone he met, at the prostitute, at the thief, and saw the beauty hidden there. Perhaps it was distorted, perhaps damaged, but it was beauty none the less, and what he did was to call out this beauty.
Perhaps the single most important element in mastering the techniques and tactics of racing is experience. But once you have the fundamentals, acquiring the experience is a matter of time.
I think that what most artists are trying to do is trying to understand. I think what distinguishes creative people and/or artists from another type of person is perhaps a willingness to go headlong into that uncertainty.
People talk about tactics, but when you look at it, tactics are just players. You change things so that the team can get the most out of the skills they have to offer, but you don't go any further than that.
Donald Trump is doing well. Trump is shocking everybody. He's shocking the Democrats. He's shocking the Republicans. He's shocking world. Contrast what's happened here in just the last three days with eight years of Barack Obama. We have had no apologizing. We've had no bowing. We've had a president of the United States actually tell the heads of state of countries where terrorism is rampant to get rid of it, to drive it out. We've had a president of the United States directly confront Iran where his our previous president threw everybody else overboard for Iran.
Most artists I know are private, and quiet folks who often spend most of their days alone in a studio.
I believe the regressive Left - the group of people who use illiberal tactics to silence those defending liberal principles - to be the Left's version of the Tea Party.
I am not afraid of beauty, unlike most artists today. The pollen, the milk, the beeswax, they have a beauty that is incredible, that is beyond the imagination, something which you cannot believe is a reality-and it is the most real. I could not make it myself, I could not create it myself, but I can participate in it. Trying to create it yourself is only a tragedy, participating in it is a big chance.
I find beauty in the grotesque, like most artists.
But the gravest difficulty, and perhaps the most important, in poetry meant solely for recitation, is the difficulty of achieving verbal beauty, or rather of making verbal beauty tell.
Strange that the vanity which accompanies beauty - excusable, perhaps, when there is such great beauty, or at any rate understandable - should persist after the beauty is gone.
Of all the artists who emerged in the '80s, I think perhaps Cindy Sherman is the most important.
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