A Quote by Greg Bear

It's been a great place to get in touch with what people are really thinking. And to make contact with readers and other writers. Egalitarian, wide open, like the Wild West!
I am not in touch with other writers. I don't have very much contact with other writers. I don't get invited to these things or I don't go to them. I hate panels. I speak to librarians and to conferences of English teachers. That's what I do: teachers and librarians. And high school kids.
I'm not really a flashy dunker or a show dunker unless somebody's in front of me. That's the only time I really get wide-eyed: when I can dunk on somebody. If it's a wide-open dunk, I've never been the type to dunk it real hard wide-open and scream.
There's a double standard between writers and readers. Readers can be unfaithful to writers anytime they like, but writers must never ever be unfaithful to the readers.
Manhattan has no choice but the skyward extrusion of the Grid itself; only the Skyscraper offers business the wide-open spaces of a man-made Wild West, a frontier in the sky.
People are going to bash you. You get rejected. It's hard. I don't really feel like that's my place as the teacher. I think the most important thing is to figure out what they're trying to do and turn them onto writers who are doing similar stuff. I think that's something I can do more than anything else: get them to be big readers.
To touch on people's lives [ in a way they ] haven't been touched on before, it´s fascianting. You know, it's one thing if [ a celebrity ] has an incredible character and you're really going to be able to delve into their personality – that's great. But you can never get real purity if people have been spoiled by the camera and don't trust you. I like feeling that I'm able to be a voice for those people who aren't famous, the people that don't have the great opportunities.
Literature is about getting in touch. It sounds so hippie, but it really is about sharing stuff. We are a community that doesn't seem to be important for the rest of society, but we are people who want to get in touch - really in touch. We want to be thinking together.
Instead of thinking of this and that, one thing after the other, let your mind recognize itself in a single moment. When the mind recognizes itself, there is no thing to see there. It’s just wide open. That’s because the essence of mind is empty. It’s wide open and free
I fully expect to be able to complete one more campaign goal - and that is to proudly report that signs have been erected as you enter our great state that say 'Welcome to Wild, Wonderful West Virginia: Open for Business!'
In my contact with people, I find that, as a rule, it is only the little, narrow people who live for themselves, who never read good books, who do not travel, who never open up their souls in a way to permit them to come into contact with other souls – with the great outside world.
I have a total responsibility to the reader. The reader has to trust me and never feel betrayed. There's a double standard between writers and readers. Readers can be unfaithful to writers anytime they like, but writers must never ever be unfaithful to the readers. And it's appropriate, because the writer is getting paid and the reader isn't.
I came to the industry with wide eyes and an open heart thinking I was going to make a few films that really meant something that I could pour myself into.
I don't really think that writers, even great writers, are prophets, or sages, or Messiah-like figures; writing is a lonely, sedentary occupation and a touch of megalomania can be comforting around five on a November afternoon when you haven't seen anybody all day.
I love being in touch with my readers and fellow writers! It's just amazing to have such access to people.
For 40 years, my argument has been that democratizing ownership of wealth has been the key to egalitarian society and the goals of egalitarian society. But you start at the local level, both at the workplace, community and other institutions and you reconstruct the egalitarian democratized structure as well as participatory structure. And as this happens, we learn more how to move toward the vision that is much larger than just the community level.
Most old cities are now sclerotic machines that dispense known qualities in ever-greater quantities, instead of laboratories of the uncertain. Only the skyscraper offers business the wide-open spaces of a man-made Wild West, a frontier in the sky.
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