A Quote by Greg Berlanti
I can remember when there were storylines with gay characters on shows like 'Family' and 'Dynasty' and thinking, I have something in common with that person. This was way before the Internet and all the visibility that has brought with it.
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I had played many gay characters before, but they were finite - guest characters in TV shows or characters in plays.
I probably haven't had enough gay characters in my stuff. When you're writing something, you're thinking, 'Why couldn't this person be black, white, gay?'
In the second season, usually television shows are running with the characters; they really get them. And then, the third season, they can push characters and really explore secondary storylines and things like that. And so I tend to like third seasons of most shows.
I really brought that with me: that people think gay people are disgusting... I remember thinking, 'Okay, I might be gay. But I won't tell anybody. Nobody will ever know.'
I've worked on high visibility shows that weren't always the best, and low visibility shows that I love but that didn't have the PR behind them.
Tip-of-the-tongue syndrome is when people almost remember something but need a computer, or someone else, to help them find it. The problem is, our brains have always been terrible at remembering details. They were like that way before the Internet came along.
Wonderful to see with the whole family. It's like travelling from dynasty to dynasty, from one Chinese region to another.
I couldn't imagine a book with many characters in it and one of them not being gay. It would have felt like a glaring and problematic omission for me. But I also wanted to write that character as a person, not just a gay person.
I heard that I was gay before, and I was like "Really?" And then I started thinking: You haven't really made it unless somebody says you're gay. And I was like, "hm. I'm not gay, but thanks for the rumor!"
We were all such odd characters, even though we were a really functional family, in a way, as eccentric and crazy as we were. And it was such a wonderful feeling amongst us of being a family almost. We were 'The Addams Family!'
I think, almost, the film industry thinks that by making gay characters super masculine, it's an attempt at saying being gay is OK if you act like straight people. I don't think we should just have gay characters who are 100 percent femme, either. I just think it's about that mix and creating more diverse gay characters.
Not a lot of gay guys end up coming to alt-comedy-ish shows. They like all these '80s shimmer shows, or they like going to drag shows. It is always weird and interesting when I meet somebody at a gay bar who is familiar with my stuff.
Suppose that there's a gene that makes you gay if you were bottle-fed but that has some completely different effect if you were breast-fed. So in the days before bottles were invented that gene would not have manifested itself as gay behavior, but now that bottles are common it can do so.
I think I was probably looking for gay role models when I was younger, before I even knew or thought I was gay. I didn't really make the connection that they were gay, but I felt drawn to them because they were going against the grain, and I knew there was something that they had that everybody else didn't have. It was an edge.
And I'd like to believe that's true, you know, kind of showing gay people in this kind of light and - where it's not about that, it's just about the characters for the first time, like those shows were.
It was really fun and intimate in a way. Working with George Miller is exquisite. Gloria is different from anything I've ever played before. The first time I saw the characters in the studio I remember thinking that Mumble looked just like Elijah, with such a cute and endearing face. I don't think Gloria looks that much like me.
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