A Quote by Greg Bryk

Fights take a long time to shoot. — © Greg Bryk
Fights take a long time to shoot.

Quote Author

When I make a documentary I shoot very little but I hang around with my camera for a long time. I look at the people for a long time through the loop and then when I see something interested then I shoot. I think that I have become very sensitive to these things.
It is a long time,' repeated his wife; 'and when is it not a long time? Vengeance and retribution require a long time; it is the rule.' 'It does not take a long time to strike a man with Lightning,' said Defarge. 'How long,' demanded madame, composedly, 'does it take to make and store the lightning? Tell me?
I've done many body scans. Every time your character fights in a different look, they'll rescan you. Because my character has taken so long to get a super suit, every time Mon-El fights, he's in something different.
Wrestling is second nature: I've been doing it for so long, so if it looks like someone's leg is available, it made sense for my first three fights that I would shoot for legs.
Remember this well. There are two kind of fights. As long as we place ourselves in battle, we must always know the difference: fights to defend life... and fights to defend pride.
Guys don't want to take hard fights, they avoid any challenges, they take the easiest fights and then they get rewarded with a UFC contract. That's not right, that should never happen that way.
When you're working with a script and you have three pages for that day, you have to shoot that. It can become sort of like a prison, because by the time you've shot what you need to shoot, you don't really have time to think or shoot anything else.
On 'B&B,' we shoot so fast and eight episodes a week, so we have to always be on our A-game. There's really no time to make certain adjustments. We usually shoot a scene in one take, maybe two or three only if needed.
If the fights that I take make sense, and there is not a 27-year-old number one contender in the world, then I'll probably be interested in doing fights that make sense and fights that are marketable.
I'm always sad when a gig ends. No matter how long the shoot, you become a family for the period of time you are together, and then you separate and rarely see each other for a long time after.
I had 33 kickboxing fights, 37 MMA fights, plus 44 amateur boxing fights, which most of them were international. I will keep fighting as long as I feel good, but I will repeat once more, any fight could be the last one.
I need those meaningful fights, the fights that everyone wants to see. That would help my legacy a long way.
I hate movies that take a long time to shoot or directors that labor over every shot or do excessive amounts of coverage and excessive takes and don't keep things moving or constantly cutting.
You can’t take everything on. That’s why when people ask how does this film fit into my oeuvre. I say 'I don’t know. I don’t think in those terms’. If I did, I might become incapacitated by fear . . . How do you eat a whale? One bite at a time. How do you shoot a 150-day movie? You shoot it one day at a time.
The selfie has become a new autograph, but it takes twice as long to do as a real autograph. I do it because I'm like, "What am I going to do, these people bought me my house." Why am I not going to take a picture with them except I always say, "You have to hold it up! Shoot down or it's really ugly if you shoot up!" So not only does it take longer, you have to teach them camera angles.
Once I'm world Champion we can think about what fights are fun rather than fights that need to take place.
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