A Quote by Greg Egan

Pop science goes flying off in all kinds of fashionable directions, and it often drags a lot of SF writers with it. I've been led astray like that myself at times. — © Greg Egan
Pop science goes flying off in all kinds of fashionable directions, and it often drags a lot of SF writers with it. I've been led astray like that myself at times.
I belonged to the generation that grew up under National Socialism, and was blinded and led astray - and allowed itself to be led astray.
[George W.] Bush was led astray and we were led astray.
Very little in science fiction can transcend the gimmickry of a technical conceit, yet without that conceit at its heart a book is not truly science fiction. Furthermore, so little emerging thought and technology is employed by sf writers today that the genre is lagging far behind reality both in the cosmology area and the technology area: sf is no longer a place to experiment, but is now very derivative.
I feel like a lot of people look at pop music with a very formulaic perspective in numbers and patterns, but an outsider would think that the process is very natural. It is, but there are a lot of times where people treat it like a sport - there are tricks you can pull, different combinations that make something better. I don't really think I approach it that way, but I definitely have a love for the science that is pop song writing.
State a moral case to a plowman and a professor. The former will decide it as well, and often better than the latter, because he has not been led astray by artificial rules.
SF isn't a genre; SF is the matrix in which genres are embedded, and because the SF field is never going in any one direction at any one time, there is hardly a way to cut it off.
Movie SF is, by definition, dumbed down - there have only been three or four SF movies in the history of film that aspire to the complexity of literary SF.
War has always been a part of science fiction. Even before the birth of SF as a standalone genre in 1926, speculative novels such as 'The Battle of Dorking' from 1871 showed how SF's trademark 'what if' scenarios could easily encompass warfare.
There are certain kinds of people who write science fiction. I think a lot of us married late. A lot of us are mama's boys. I lived at home until I was 27. But most of the writers I know in any field, especially science fiction, grew up late. They're so interested in doing what they do and in their science, they don't think about other things.
I've had a lot of bosses that I didn't agree with, but the worst boss was very much me myself. So, I can't let myself slack off, and if I do slacking off, I'm the one that's yelling at myself. I've worked with a lot of different employers, and none of them have been as aggressive as I have been.
Today, not a numerous, but an active part of the German people are beginning to realize, not that they have been led astray, not that bad times await them, not that the war may end in defeat, but that what is happening is sin and that they are personally responsible for each terrible deed that has been committed - naturally, not in the earthly sense, but as Christians.
I never had a favourite book! I liked all kinds of things - science fiction, so I read Heinlen and Ray Bradbury, and I also liked reading about kids like myself, so I read Judy Blume and Norma Klein and Paula Danzinger and a lot of other writers. I also read James Herriot!
What writers of fantasy, science fiction, and much historical fiction do for a living is different from what writers of so-called literary or other kinds of fiction do. The name of the game in F/SF/HF is creating fictional worlds and then telling particular stories set in those worlds. If you're doing it right, then the reader, coming to the end of the story, will say, "Hey, wait a minute, there are so many other stories that could be told in this universe!" And that's how we get the sprawling, coherent fictional universes that fandom is all about.
Sinners often speak the truth. And saints have led people astray. Examine what is said, not the one who says it.
Reviewers and critics can be overly cynical. If something the least bit sentimental comes up, they'll often start flying off the handle. But I'm like, 'Wait a minute, you've had those times in your life. Everybody has.'
Reviewers and critics can be overly cynical. If something the least bit sentimental comes up, they'll often start flying off the handle. But I'm like, 'Wait a minute, you've had those times in your life. Everybody has.
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